Address to the Greeks 33
33 Chapter XXXIII. Vindication of Christian Women
Therefore I have been desirous to prove from the things which are esteemed honourable among you, that our institutions are marked by sober-mindedness, but that yours are in close affinity with madness. You who say that we talk nonsense among women and boys, among maidens and old women, and scoff at us for not being with you, hear what silliness prevails among the Greeks. For their works of art are devoted to worthless objects, while they are held in higher estimation by you than even your gods; and you behave yourselves unbecomingly in what relates to woman. For Lysippus cast a statue of Praxilla, whose poems contain nothing useful, and Menestratus one of Learchis, and Selanion one of Sappho the courtezan, and Naucydes one of Erinna the Lesbian, and Boiscus one of Myrtis, and Cephisodotus one of Myro of Byzantium, and Gomphus one of Praxigoris, and Amphistratus one of Clito. And what shall I say about Anyta, Telesilla, and Mystis? Of the first Euthycrates and Cephisodotus made a statue, and of the second Niceratus, and of the third Aristodotus; Euthycrates made one of Mnesiarchis the Ephesian, Selanion one of Corinna, and Euthycrates one of Thalarchis the Argive. My object in referring to these women is, that you may not regard as something strange what you find among us, and that, comparing the statues which are before your eyes, you may not treat the women with scorn who among us pursue philosophy. This Sappho is a lewd, love-sick female, and sings her own wantonness; but all our women are chaste, and the maidens at their distaffs sing of divine things more nobly than that damsel of yours. Wherefore be ashamed, you who are professed disciples of women yet scoff at those of the sex who hold our doctrine, as well as at the solemn assemblies they frequent. What a noble infant did Glaucippé present to you, who brought forth a prodigy, as is shown by her statue cast by Niceratus, the son of Euctemon the Athenian! But, if Glaucippé brought forth an elephant, was that a reason why she should enjoy public honours? Praxiteles and Herodotus made for you Phryné the courtezan, and Euthycrates cast a brazen statue of Panteuchis, who was pregnant by a whoremonger; and Dinomenes, because Besantis queen of the Pæonians gave birth to a black infant, took pains to preserve her memory by his art. I condemn Pythagoras too, who made a figure of Europa on the bull; and you also, who honour the accuser of Zeus on account of his artistic skill. And I ridicule the skill of Myron, who made a heifer and upon it a Victory because by carrying off the daughter of Agenor it had borne away the prize for adultery and lewdness. The Olynthian Herodotus made statues of Glycera the courtezan and Argeia the harper. Bryaxis made a statue of Pasiphaë; and, by having a memorial of her lewdness, it seems to have been almost your desire that the women of the present time should be like her. A certain Melanippë was a wise woman, and for that reason Lysistratus made her statue. But, forsooth, you will not believe that among us there are wise women!
Διὰ τοῦτο προεθυμήθην ἀπὸ τῶν νομιζομένων παρ᾿ ὑμῖν τιμίων παριστᾶν ὅτι τὰ μὲν ἡμέτερα σωφρονεῖ, τὰ δὲ ὑμέτερα ἔθη μανίας ἔχεται πολλῆς. Οἱ γὰρ ἐν γυναιξὶ καὶ μειρακίοις, παρθένοις τε καὶ πρεσβύταις φλυαρεῖν ἡμᾶς λέγοντες, καὶ διὰ τὸ μὴ σὺν ὑμῖν εἶναι χλευάζοντες, ἀκούσατε τῶν παρ᾿ Ἑλλήνων πραγμάτων τὸν λῆρον. Ληραίνει γὰρ διὰ δόξης μᾶλλον πολλῆς τῶν παρ᾿ ὑμῖν θεῶν τὰ ἐπιτηδεύματα, καὶ διὰ τῆς γυναικωνίτιδος ἀσχημονεῖτε. Πράξιλλαν μὲν γὰρ Λύσιππος ἐχαλκούργησεν, μηδὲν εἰποῦσαν διὰ τῶν ποιημάτων χρήσιμον, Λεαρχίδα δὲ Μενέστρατος, Σιλανίων δὲ Σαπφὼ τὴν ἑταίραν, Ἤρινναν τὴν Λεσβίαν Ναυκύδης, Βοΐσκος Μυρτίδα, Μυρὼ τὴν Βυζαντίαν Κηφισόδοτος, Γόμφος Πραξιγορίδα καὶ Ἀμφίστρατος Κλειτώ. Τί γὰρ μοι περὶ Ἀνύτης λέγειν, Τελεσίλλης τε καὶ Μυστίδος; Τῆς μὲν γὰρ Εὐθυκράτης τε καὶ Κηφισόδοτος, τῆς δὲ Νικήρατος, τῆς δὲ Ἀριστόδοτός εἰσιν οἱ δημιουργοί· Μνησιαρχίδος τῆς Ἐφεσίας Εὐθυκράτης, Κορίννης Σιλανίων, Θαλαρχίδος τῆς Ἀργείας Εὐθυκράτης. Ταύτας δὲ εἰπεῖν προυθυμήθην, ἵνα μηδὲ παρ᾿ ἡμῖν ξένον τι πράττεσθαι νομίζητε, καὶ συγκρίναντες τὰ ὑπ᾿ ὄψιν ἐπιτηδεύματα μὴ χλευάζητε τὰς παρ᾿ ἡμῖν φιλοσοφούσας.Καὶ ἡ μὲν Σαπφὼ γύναιον πορνικὸν ἐρωτομανές, καὶ τὴν ἑαυτῆς ἀσέλγειαν ᾄδει· πᾶσαι δὲ αἱ παρ᾿ ἡμῖν σωφρονοῦσι, καὶ περὶ τὰς ἠλακάτας αἱ παρθένοι τὰ κατὰ θεὸν λαλοῦσιν ἐκφωνήματα τῆς παρ᾿ ὑμῖν παιδὸς σπουδαιότερον. Τούτου χάριν αἰδέσθητε, μαθηταὶ μὲν ὑμεῖς τῶν γυναίων εὑρισκόμενοι, τὰς δὲ σὺν ἡμῖν πολιτευομένας σὺν τῇ μετ᾿ αὐτῶν πανηγύρει χλευάζοντες. Τί γὰρ ὑμῖν ἡ Γλαυκίππη σεμνὸν εἰσηγήσατο παιδίον, ἥτις τεράστιον ἐγέννησεν, καθὼς δείκνυσιν αὐτῆς ἡ εἰκών, Νικηράτου τοῦ Εὐκτήμονος Ἀθηναίου τὸ γένος χαλκεύσαντος; Εἰ γὰρ ἐκύησεν ἐλέφαντα, τί τὸ αἴτιον τοῦ δημοσίας ἀπολαύσαι τιμῆς τὴν Γλαυκίππην; Φρύνην τε τὴν ἑταίραν ὑμῖν Πραξιτέλης καὶ Ἡρόδοτος πεποιήκασι, καὶ Παντευχίδα συλλαμβάνουσαν ἐκ φθορέως Εὐθυκράτης ἐχαλκούργησεν. Βησαντίδα, τὴν Παιόνων βασίλισσαν, ὅτι παιδίον μέλαν ἐκύησε, Δεινομένης διὰ τῆς ἑαυτοῦ τέχνης μνημονεύεσθαι παρεσκεύασεν. Ἐγὼ καὶ Πυθαγόρου κατέγνωκα, τὴν Εὐρώπην ἐπὶ τοῦ ταύρου καθιδρύσαντος, καὶ ὑμῶν, οἵτινες τοῦ Διὸς τὸν κατήγορον διὰ τὴν ἐκείνου τέχνην τετιμήκατε. Γελῶ καὶ τὴν Μύρωνος ἐπιστήμην ποιήσαντος μόσχον, ἐπὶ δὲ αὐτοῦ Νίκην, ὅτι τὴν Ἀγήνορος ἁρπάσας θυγατέρα μοιχείας καὶ ἀκρασίας βραβεῖον ἀπηνέγκατο. Τὴν Γλυκέραν τὴν ἑταίραν καὶ Ἀργείαν τὴν ψάλτριαν ὁ Ὀλύνθιος Ἡρόδοτος κατεσκεύασεν. Βρύαξις Πασιφάην ἔστησεν, ἧς τὴν ἀσέλγειαν μνημονεύσαντες μονονουχὶ καὶ τὰς γυναῖκας τὰς νῦν τοιαύτας εἶναι προῄρησθε. Μελανίππη τις ἦν σοφή· διὰ τοῦτο ταύτην ὁ Λυσίστρατος ἐδημιούργησεν. Ἦ ὑμεῖς δὲ εἶναι παρ᾿ ἡμῖν σοφὰς οὐ πεπιστεύκατε.