Plates · Volume V (1950)

144 plates · Entries · All volumes

The volume's full-page plates, in their printed numbering. Each plate also appears in the entry it illustrates.

ECCE HOMO. Painting by B. Juanes (16th cent.) Plate I Ecce Homo BEGINNING OF THE BOOK OF ECCLESIASTES Plate II Ecclesiastes Above: CHOIR IN CARVED WOOD (18th cent.) - Quito, Cathedral. Plate III Ecuador Left: EUCHARISTIC TABERNACLE IN THE FORM OF AN AEDICULE (early 16th cent.) - Ferentino, Cathedral. Plate IV Niche Left: AEDICULE WITH THE VIRGIN AND CHILD, marble sculpture from the workshop of J. Sansovino (16th cent.) - Rome, Salita di S. Sebastianello. Plate V Niche Above: THE GOOD YOUTH WHO TAMES VICES, EFFECT OF GOOD EDUCATION. Fresco of the 16th cent. - Vatican, Third Loggia. Below: THE BAD YOUTH WHO CARESSES VICES, EFFECT OF BAD EDUCATION. Fresco of the 16th cent. - Vatican, Third Loggia. Plate VI Education Above: REWARD OF THE GOOD OLD AGE. Fresco by F. Agricola (19th cent.) - Vatican, Third Loggia. Below: PUNISHMENT OF THE BAD OLD AGE. Fresco by F. Agricola (19th cent.) - Vatican, Third Loggia. Plate VII Education ST. EPHREM IN PRAYER. Miniature of Florentine school of the second half of the 15th cent. Sermons translated into Latin by Ambrogio Traversari - Biblioteca Vaticana, Urb. lat. 481, f. 1 v. Plate VIII Ephrem, Saint Above: ITINERARY OF EGERIA THROUGH EGYPT AND PETRAEAN ARABIA. Plate IX Egeria EPISODE OF THE LEGEND OF ST. GILES Plate X Giles, Saint REPRESENTATION OF NILOTIC SCENES Plate XI Egypt Left: DIORITE STATUE OF THE PHARAOH KHAFRE. 4th Dynasty (ca. 2600 B.C.) - Cairo, Museum. Plate XII Egypt Above: FUNERARY STELE OF A PERSONAGE NAMED HOR. The hieroglyphic inscription contains an optative formula to ensure food for the deceased. Middle Kingdom (20th-17th cent. B.C.) - Paris, Louvre Museum. Below: RELIEF WITH SCENES OF DANCES AND FUNERARY LAMENTATIONS. 19th Dynasty (12th cent. B.C.) - Cairo, Museum. Plate XIII Egypt Left: MOSQUE OF IBN TULUN. The north « liwan » and the minaret - Cairo. Plate XIV Egypt ST. PETER AND ST. JOHN GIVING ALMS TO THE POOR. Plate XV Alms Above: REMAINS OF THE MAUSOLEUM OF ST. HELENA (4th cent.) - Rome, Via Prenestina. Below: SARCOPHAGUS OF ST. HELENA in porphyry with figurations of the triumph of Constantine (4th cent.) - Vatican, Museums. Plate XVI Helena MOMENT OF THE ELEVATION. St. Giles celebrates Mass in the abbey church of St. Denis in the presence of the sovereign. Panel of the triptych of St. Giles at St. Remigius, work of the Master of St. Giles (1495-1500). London, National Gallery. Plate XVII Elevation ELIJAH IN THE DESERT Plate XVIII Elijah (ed. Indiretta) Plate XIX Heliodorus (Gk. Hēliódōros "Gift of the Sun") ST. ELIZABETH DISTRIBUTES ALMS Plate XX Elizabeth of Thuringia, Saint phot. Alisari Plate XXI Emanuele Filiberto, Duke of Savoy TRIPTYCH IN CARVED BONE (1400-1409). Plate XXII Embriachi (Embriaci) EXTERIOR OF THE CATHEDRAL. South-east side (12th cent.). Plate XXIII Embrun CATHEDRAL OF ST. EMIDIO, on a design by Cola dell'Amatrice (1532) - Ascoli Piceno. Plate XXIV Emidius, Saint, Martyr Phot. Alinari Plate XXV Emilia Above: AERIAL VIEW OF BOLOGNA. Plate XXVI Emilia Above: THE DISCIPLES AND CHRIST ON THE WAY TO EMMAUS. Mosaic of the 6th cent. Ravenna, church of S. Apollinare Nuovo. Below: THE FRACTIO PANIS IN THE SUPPER AT EMMAUS. Attributed to Caravaggio (17th cent.) - Milan, Pinacoteca di Brera. Plate XXVII Emmaus (Int. Alipari) Plate XXVIII Henry II, King of France GR. ANNA Plate XXIX Henry III, King of France HENRY II CROWNED BY CHRIST, between St. Peter and St. Paul. Miniature Plate XXX Enrico Ii E Iv Imperatori Above: JOURNEY OF THE MAGI; meeting with Herod and adoration of the Child. Reliefs attributed to Giovanni di Balduccio (1347) - Milan, basilica of S. Eustorgio. Below: ADORATION OF THE MAGI. Painting attributed to Titian - Milan, Galleria dell'Ambrosiana. Plate XXXI Epiphany Left: ADORATION OF THE MAGI. Miniature from the Breviary of Salisbury or of the Duke of Bedford (between 1424 and 1435). Paris, National Library, ms. lat. 17294, f. 106. Right: ADORATION OF THE MAGI. Master of the Darmstadt Passion. Art of Hesse (16th cent.) - Berlin, State Museum. Plate XXXII Epiphany a) SEPULCHRAL SLAB with dolphins, anchor and peacocks facing each other on a vase of flowers (3rd cent.) - Rome, Museo cristiano Lateranense. b) SEPULCHRAL INSCRIPTION of Maximus with modius of grain and thresher (4th cent.) - Rome, Museo cristiano Lateranense. c) SEPULCHRAL INSCRIPTION with dove pecking a bunch of grapes (4th cent.) - Rome, Museo cristiano Lateranense. d) SEPULCHRAL INSCRIPTION with monogrammatic Cross inside a crown with two doves with olive branch (no. 431) - Rome, Museo cristiano Lateranense. e) CHRISTIAN SLAB with Constantinian monogram between two doves (4th cent.) - Rome, Museo cristiano Lateranense. f) SEPULCHRAL INSCRIPTION of Basilissa with vase and dove (4th cent.) - Rome, Museo cristiano Lateranense. Plate XXXIII Epigraphy, Christian Latin and Greek a) SEPULCHRAL INSCRIPTION of Pontius Leo with figure of a lion (4th cent.) - Rome, Museo cristiano Lateranense. b) SEPULCHRAL SLAB with two sheep facing a vase (4th cent.) - Rome, Museo cristiano Lateranense. c) SEPULCHRAL SLAB with fish (4th cent.) - Rome, Museo cristiano Lateranense. d) SEPULCHRAL INSCRIPTION OF FIRMIA VICTORA with ship and lighthouse (4th cent.) - Rome, Museo cristiano Lateranense. e) SEPULCHRAL SLAB with two doves pecking a bunch of grapes (4th cent.) - Rome, Museo cristiano Lateranense. f) SEPULCHRAL SLAB with barber's tools (4th cent.) - Rome, Museo cristiano Lateranense. Plate XXXIV Epigraphy, Christian Latin and Greek (por carisma del Rev. de Pedro Abate Salmos) Plate XXXV Epistolary ERASMUS OF ROTTERDAM. Portrait by Holbein, painted in 1430 - Parma, Pinacoteca. Plate XXXVI Erasmus of Rotterdam (Desiderius Erasmus Roterodamus) (Vol. Alizar) Plate XXXVII Herculaneum a) CATHOLIC CHURCH OF MASSAWA. b) CATHOLIC CHURCH OF THE MISSION OF KEREN. Plate XXXVIII Eritrea FRESCOED APSE IN AN UPPER ROOM OF THE CEMETERIAL BASILICA OF ST. HERMES (12th cent.). Above: Jesus Christ between two angels; below: Madonna with Child between two archangels, St. Hermes, St. John, St. Benedict - Rome, cemetery of Bassilla. Plate XXXIX Hermes (Ἑρμῆς) a) OLD ESKIMO CHIEF - Hudson Bay, Mission of the Grey Nuns of Montréal. b) YOUNG ESKIMO MOTHER of Hudson Bay, Mission of the Grey Nuns of Montréal. c) ESKIMO OF HUDSON BAY, Mission of the Grey Nuns of Montréal. d) HUNTING FOR TRICHECO - Hudson Bay, Mission of the Grey Nuns of Montréal. e) ESKIMO WOMAN SMOKING A STONE PIPE - Hudson Bay, Mission of the Grey Nuns of Montréal. Plate XL Eskimos VIEW OF THE ESCORIAL (16th and 17th cent.). Plate XLI Escorial (El Escorial) (Int. Festival/1910) Plate XLII Catholic Explorers a) FACADE OF THE DUCAL PALACE, begun by the architect Bartolomeo Avanzini, Roman, in 1635 - Modena. b) INTERIOR OF THE DUCAL PALACE, piano nobile with design by Bartolomeo Avanzini who began it in 1615 - Modena. Plate XLIII Este, House of a) THE CASTLE OF FASILIDAS BEFORE RESTORATION. b) BRIDGE OVER THE MILLÈ DESSIÈ RIVER. c) VIEW OF THE HOUSING FOR I.N.F.A.I.L. EMPLOYEES - Addis Ababa. d) CHAPEL OF THE INSTITUTE OF THE CANOSSIAN SISTERS, near the pro-cathedral of Addis Ababa. Plate XLIV Ethiopia a) GROUP OF SNOW HUTS, built on frozen ground. The semi-underground dwellings communicate with each other by means of tunnels - Etchimesi Igluf, Melville Peninsula, Canada. b) THE HOUSE OF HEADS OR "PAUGGA" of the Dyaks of the Mungo Bubi hinterland. c) SCENE OF DAILY LIFE in a village of the Bambuti Pygmies - Belgian Congo. d) BEEHIVE-SHAPED HUT OF THE ITURI PYGMIES - Belgian Congo. Plate XLV Ethnology a) SOME MANIFESTATIONS OF PRIMITIVE ECONOMY. Stick fighting. The stick held in the right hand is used to strike; the one in the left hand is used to parry the opponent's blows - Acioli population of Uganda (British East Africa). b) SOME MANIFESTATIONS OF PRIMITIVE ECONOMY. How the Acioli of Uganda (British East Africa) obtain fire. Fire by drill. c) SOME MANIFESTATIONS OF PRIMITIVE ECONOMY. Selk'nam hunters - Tierra del Fuego. d) SOME MANIFESTATIONS OF PRIMITIVE ECONOMY. Selk'nam girl gathering mushrooms. Plate XLVI Ethnology a) PICTOGRAPH ■ red rock with white spots, representing an animal. Bushmen (Southern Africa). Plate XLVII Ethnology a) INTERIOR OF THE TOMB KNOWN AS DELL'ALCOVA (4th cent. B.C.) - Cerveteri. b) FRESCO OF THE TOMB KNOWN AS DELLE LEONESSE (4th cent. B.C.) - Tarquinia. Plate XLVIII Etruscans, Religion of the a) LAST SUPPER. Mosaic in S. Apollinare Nuovo (ca. 540) - Ravenna. b) FALL OF MANNA. Painting by Jacopo Tintoretto (ca. 1570) - Venice, church of S. Giorgio Maggiore. Plate XLIX Eucharist LAST SUPPER: full-round group in silver by Arrigo Minerbi (1930) - Oslo, National Museum. Plate L Eucharist (Vgl. Biblioteca Vaticana) Plate LI Eugenius IV, Pope a) ITALY. Gressoney St-Jean (m. 1385), panorama and Monte Rosa (m. 4633) - Aosta. b) FINLAND. Fortifications on the Finnish coast. Plate LII Europe a) ENGLAND. Landscape - Hexham-Newcastle (Liverpool). b) IRELAND. Landscape - Mourne Mountains North. Plate LIII Europe a) NORWAY. Surroundings of Oslo. Typical appearance of the Norwegian countryside. b) RUSSIA. Monastery of SS. Zosima and Savvatiy in the Solovetsky Islands (White Sea). Color lithograph from 1884. Plate LIV Europe a) SWITZERLAND. View of the lower quarter of Bern. b) SPAIN. Church of S. Juan de los Caballeros in Segovia. c) TURKEY. Baghdad Kiosk (Topkapi Palace) - Constantinople. d) SPAIN. Gate of Santa Maria in Burgos. Plate LV Europe (Int. Interna) Plate LVI Eustachio and Companions, Saints, Martyrs COVER OF THE EVANGELIARY OF FRIAR HUGO D'OIGNIES (13th cent.) - Namur, Treasury of the Sisters of Notre-Dame. Plate LVII Evangeliary a) CHRIST ENTHRONED SURROUNDED BY THE EVANGELISTS. Byzantine enamels (a. 976) of the Pala d'Oro - Venice, basilica of St. Mark. Plate LVIII Evangelisti, Luigi a) CORONATION OF THE VIRGIN. Below the 4 Evangelists. Painting by Antonio da Murano (mid-15th cent.) - Venice, church of S. Pancaleone. b) THE EVANGELISTS, in a painting by J. Jordana (ca. 1670) - Paris, Louvre. Plate LIX Evangelisti, Luigi CATHEDRAL ■ CLOISTER OF THE BISHOP'S PALACE (14th cent.). Plate LX Évreux, Diocese of a) EXULTET. Miniature with scene of the bees. In the corners St. Theophylact, St. Germanus, St. Phocas, St. Arsenius of Corfu (ca. 1000) - Bari, archive of the Cathedral. b) THE DEACON PREPARES FOR THE SINGING OF THE EXULTET. In the corners: St. Andrew, St. Simon, St. James, St. Bartholomew. Exultet 1 (ca. 1000) - Bari, archive of the Cathedral. Plate LXI Exultet EXULTET. Scroll with miniatures and relevant passage of the Exultet with musical notation (12th cent.) - Rome, Biblioteca Casanatense, cod. 724 B I, 13. Plate LXII Exultet IN HOC ORNATISSIMO CODICE CO Plate LXIII Ezekiel (Heb. Jēḥezqēl «God is strong» or «God strengthens») a) PALAZZO DEL PODESTÀ (1255). b) HOSPITAL AND CHURCH OF S. MARIA DEL BUON GESÙ (1456). Plate LXIV Fabriano, Diocese of Left: IMITATION OF ARCHAIC SCULPTURE, in marble: from the antiquarian market. Plate LXV Artistic Forgeries Left: 16TH-CENTURY PAINTING artfully transformed into a portrait of a knight with a feathered hat - Rome, private collection. Right: THE SAME PAINTING OF THE PREVIOUS FIGURE, photographed with X-rays. There appears a 16th-century sketch for a portrait of a prelate - Rome, private collection. Plate LXVI Artistic Forgeries TRIUMPH OF FAME. In its train appear the most famous personages of History. Florentine painter of the first half of the 15th cent. Detail of a marriage chest - Florence, Uffizi. Plate LXVII Fame TOMB OF PAOLA BIANCA MALATESTA (a. 1398) - Church of S. Francesco. Plate LXIX Fano, Diocese of EXTERIOR OF THE ABBEY OF FARFA (12th-13th cent.). Plate LXX Farfa, Abbey of Above: PALAZZO FARNESE. Work by B. Peruzzi and J. Barozzi known as "Il Vignola" (1530-50) - Caprarola. Plate LXXI Farnese, Family Above left: THE DAUGHTERS OF MARY with their banners keep guard of honour to the Virgin. Plate LXXII Fátima, Sanctuary of Above: "LO STAFFATO" by G. Fattori - Florence, Galleria Nazionale d'arte moderna. Plate LXXIII Fattori, Giovanni Above left: HIS HOLINESS PIUS XII AMONG THE FUCINI (1943) between mons. Anichini and Giulio Andreotti; at the back left p. Cordovani. Above right: FUCINI IN FRONT OF THE BASILICA OF LORETO (spring 1934). Below left: FUCINO MEETING AT OROPA (spring 1935). Below right: FUCINO MEETING OF MERANO (spring 1950). Plate LXXIV Fuci PORTRAIT OF FÉNELON, by Joseph Vivien (ca. 1730) - Munich, Pinakothek. Plate LXXV Fénelon, François de Salignac de La Mothe DETAIL OF THE APSE OF THE CATHEDRAL NEAR THE ROMAN ARCH (11th-12th cent.). Plate LXXVI Ferentino, Diocese of Above: FACADE OF THE CATHEDRAL, founded in 1135, with 13th cent. additions. Plate LXXVII Ferrara, Archdiocese of Left: ST. JEROME, Panel by Cosme Tura (mid-15th cent.) - Pinacoteca Comunale. Plate LXXVIII Ferrara, Archdiocese of TRIPTYCH WITH THE ADORATION OF THE MAGI - Milan, Pinacoteca di Brera. Plate LXXIX Ferrari, Gaudenzio Left: TABERNACLE DOOR, from the cathedral of Aosta (15th cent.) - Turin, Museo Civico. Plate LXXX Repoussé Work Above: ST. JOHN THE BAPTIST BAPTIZING CHRIST. Baptismal font by Renier de Huy (12th cent.) - Liège, church of S. Bartolomeo. Below: TAPESTRY WITH COURT SCENE (15th cent.) - Milan, Museo Poldi Pezzoli. Plate LXXXI Flemish, Art Above: ADORATION OF THE MAGI by Hans Memling (late 15th cent.) - Madrid, Prado Gallery. Plate LXXXII Flemish, Art Above: FACADE OF THE CHURCH OF S. FRANCESCO (early 15th cent.). Plate LXXXIII Diocese of Fiesole Above: CENTRAL HOUSE OF THE DAUGHTERS OF CHARITY of the Province of Holland - Panninzen. Plate LXXXIV Daughters of Charity (Strasbourg) BRONZE DOOR OF THE VATICAN BASILICA. Plate LXXXV Filarete Left: DREAM OF PHILIP II. Painting by Domenico Theotocopuli known as "El Greco" (late 14th cent.) - Escorial, Chapter Hall. Plate LXXXVI Filippo Ii E Iii PHILOSOPHY, painting by Raphael (1508) - Vatican, Raphael Rooms. Plate LXXXVII Philosophy Above left: WINDOW OF THE PALAZZO PRATELLESI (late 14th cent.) - San Gimignano. Plate LXXXVIII Window PAINTED TABERNACLE with SS. Peter and Paul - Perugia, Pinacoteca. Plate LXXXIX Fiorenzo Di Lorenzo Left: PORTICO OF THE UFFIZI. Work by G. Vasari (1565) - Florence. Plate XC Florence, Archdiocese Of Above: AN AVENUE OF THE BOBOLI GARDEN (late 16th cent.). Plate XCI Florence, Archdiocese Of CRUCIFIXION, by Masaccio (1426) - Naples, Museo Nazionale. Plate XCII Florence, Archdiocese Of Left: ST. JEROME, by Leonardo (ca. 1481) - Vatican, Pinacoteca. Plate XCIII Florence, Archdiocese Of Above: FACADE OF THE FORMER CONVENT OF S. FRANCESCO (14th cent.). Plate XCIV Fondi, Diocese of Above: FOUNTAIN ■ ORGAN CASCADE (late 16th cent.) - Tivoli, Villa d'Este. Plate XCV Fontana Left: FONTE MARCELLA. Work by G. Alessi (16th cent.) - Assisi. Plate XCVI Fontana Left: BAPTISMAL FONT, by Luca di Giovanni, begun in 1390, completed by Jacopo di Pietro Guidi in 1493. The statue is modern and in plaster. Orvieto, Cathedral. Right: BAPTISMAL FONT. Work from the workshop of A. Federighi (ca. 1485) - Siena, Cathedral. Plate XCVII Baptismal Font BAPTISMAL FONT of the basilica of St. Peter. Ancient porphyry vessel with decorations by Carlo Fontana (late 17th cent.) - Rome. Plate XCVIII Baptismal Font Above: ABBEY PORTAL (1208). Below: CHAPTER HOUSE (1250). Plate XCIX Fossanova Abbey Above: DUCAL PALACE (1464-70). Below: ANNUNCIATION. Sculpture of the 15th cent. - Vernarelli Museum. Plate C Fossombrone, Diocese of Above and left: APPARITION OF THE NAME OF JESUS IN A FIERY GLOBE ON THE HEAD OF ST. FRANCESCA ROMANA. Above right: MIRACLE OF THE GRAPES IN JANUARY. Below left: THE SAINT HEALS A SEVERED ARM. Below right: JESUS WELCOMES THE SAINT'S SOUL INTO PARADISE. Frescoes from the school of Antoniasco Romano (15th cent.) - Rome, monastery of Tor de' Specchi. Plate CI Frances of Rome, Saint Above: MYSTIC MARRIAGE OF ST. FRANCIS WITH POVERTY. Master of the Vaults (early 14th cent.) - Assisi. Below: A DISCIPLE, IN THE PRESENCE OF ST. FRANCIS, DRIVES OUT DEMONS FROM AREZZO. Benozzo Guzzoli (1452) - Montefalco, church of St. Francis. Plate CII Francis of Assisi, Saint Left: ST. JOHN THE EVANGELIST AND ST. FRANCIS OF ASSISI by El Greco (early 17th cent.) - Madrid, Prado Gallery. Plate CIII Francis of Assisi, Saint 1pr. Anderson Plate CIV Francis of Paola, Saint DEPARTURE OF ST. FRANCIS BORGIA by F. Guya (ca. 1795) - Valencia, Cathedral. Plate CV Francis Borgia (de Borja), Saint THE SAINT painted by Van Dyck (ca. 1630) - Vatican, Pinacoteca. Plate CVI Francis Xavier (Don Francisco de Jasu y Xavier), Saint Left: APSE OF THE CATHEDRAL of Bourges (13th-14th cent.). Right: SOUTH PORTAL OF THE CATHEDRAL of Bayeux (14th cent.). Plate CVII Francia Left: MADONNA. Sculpture of French school from the mid-14th cent. - Paris, Louvre. Plate CVIII Francia BLESSED PETER OF LUXEMBOURG PRESENTS A DEVOTEE TO THE MADONNA. French art (ca. 1400) - Worcester, Museum. Plate CIX Francia Above: EMBARKATION OF THE QUEEN OF SHEBA by Claude Lorrain (ca. 1650) - London, National Gallery. Below: ELEAZAR AND REBECCA by N. Poussin (ca. 1650) - Paris, Louvre. Plate CX Francia Left: LA GUERRE by Georges Rousult (s. 1946). Right: NOAH RELEASES THE DOVE FROM THE ARK. Lithograph by Marc Chagall (1947). Plate CXI Francia (id. Jodovino) Plate CXII Raibolini, Francesco, detto il Francia ENTRANCE OF VILLA ALDOBRANDINI (17th cent.). Plate CXIII Frascati, Diocese of BULL WITH WHICH POPE HONORIUS III APPROVES THE RULE OF THE FRIARS MINOR (29 Nov. 1223) - Plate CXIV Franciscan Friars Minor Above: CONVENT OF THE FRIARS MINOR CAPUCHINS OF S. MARIA DELL'ACQUARDIA Plate CXV Franciscan Friars Minor Above: INTERIOR OF THE CHURCH OF ST. FRANCIS (13th cent.), restored in 1892 - Siena. Plate CXVI Franciscan Friars Minor Above: CLOISTER OF THE CONVENT OF ST. DOMINIC (15th cent.) - Bologna. Plate CXVII Order of Preachers Left: INTERIOR OF THE CHURCH OF SS. JOHN AND PAUL, begun in 1246, finished in the early 15th cent. - Venice. Plate CXVIII Order of Preachers Left: CHURCH OF ST. FREDIANO, built between 1112 and 1147. Mosaic of the 13th cent. - Lucca. Plate CXIX Frediano, Saint FROISSART WRITES THE CHRONICLE and Froissart in the presence of the king of France. Illuminated page of the Breslau codex I, 1, signed by David Aubert (1460). Plate CXX Froissart, Jean Left: THE FLIGHT INTO EGYPT. Capital of the Cathedral of Autun (app. 12th cent.). Plate CXXI Flight Into Egypt BLESSING OF THE FIRE on Holy Saturday in the atrium of the Vatican Basilica. Plate CXXII Blessing Of Fire Left: THE ARCHANGEL GABRIEL in the Annunciation by B. Rossellino (1447) - Empoli, chapel of the Misericordia. Plate CXXIII Gabriel ST. CAJETAN OF THIENE COMFORTS A DYING MAN. Painting by Sebastiano Ricci (ca. 1720). Plate CXXIV Gaetano da Thiene, Saint BEGINNING OF THE EPISTLE OF ST. PAUL TO THE GALATIANS. Bible of Borso d'Este, vol. II f. 199 v (1455-61). Plate CXXV Galatians, Epistle to the AENEAS SYLVIUS PICCOLOMINI RECEIVES THE GALERO from Callixtus III. Fresco by Pinturicchio (1502-1509). Plate CXXVI Galen, Claudius PORTRAIT painted by Giusto Sustermans (ca. 1530) - Florence, Uffizi. Plate CXXVII Galilei, Galileo Above: EXTERIOR OF THE MAUSOLEUM (5th cent.) - Ravenna. Below: INTERIOR OF THE SAME. Plate CXXVIII Galla Placidia Bethlehem. - Apse: Coronation of Mary Most Holy - from left to right: St. Francis, Sts. Paul and Peter, Pope Nicholas V, Plate, p. 92 Ephesus ("Ephesos") card. Jacopo Colonna, St. John the Baptist, St. James, St. Anthony - lower order: Annunciation, Nativity, Transit Plate, p. 93 ADORATION OF THE MAGI by Lorenzo Costa (1499). Plate, p. 275 Epiphany Del. Edit. Maria Caravati Plate, p. 457 Eucharist Plate, p. 493 Plate, p. 493 Divisione Politica 1. Main railways - 2. Main navigable rivers and canals. Plate, p. 495 Etnografia Percentages of total population: 1. Less than 1 - 2. from 1 to 5 - 3. from 5 to 10 - 4. from 10 to 20 - 5. from 20 to 30 - 6. from 30 to 50 - 7. from 50 to 75 - 8. from 75 to 90 - 9. over 90. Plate, p. 507 Densità Dei Dissidenti E Dei Protestanti 10. 100 Plate, p. 508 Europe Europe at the end of the 15th cent. Plate, p. 511 Europe at the fall of the Western Empire (end of the 5th cent.) Plate, p. 513 FANO Plate, p. 624 Tat. Lxviii PRESENTATION AT THE TEMPLE. Plate, p. 895 Foppa, Vincenzo dot. Picci Plate, p. 935 Francesco (b. 1437, d. after 1492), son of Simone di Nanni who was assistant to Ghiberti Historical map of their diffusion at the beginning of the 14th cent. compiled by Fr. A. Ghinato O.F.M. on the Provinciale Ordinis Minorum and Custodia (subdivision of Province) to which is added in parentheses the number of convents dependent on them. Statistics: with the French houses Plate, p. 1030 Frati Mi Il Pacino da Venezia (ca. 1330). Only the capitals of Provinces (in small Roman type) and of 1453 convents with ca. 40 thousand religious are indicated. The territories of China and India have been omitted. Right: plan of Rome are shown. Plate, p. 1031 Nori Historical map of their development at the beginning of the 14th cent., compiled on the basis of the list of provinces and convents. Right, at the bottom, plans of Rome ca Plate, p. 1048 Frati Predi Works of Bernardo Guidonia (1303) by Fr. A. Redigonda, O.P. Statistics: 600 convents with ca. 10 thousand religious. In the present Dominican houses. Plate, p. 1049 Catori

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