Enciclopedia Cattolica

Plates · Volume VI (1951)

128 plates · Entries · All volumes

The volume's full-page plates, in their printed numbering. Each plate also appears in the entry it illustrates.

Above left: CUPID WHO LEANS A LADDER AGAINST A BRANCH OF A CHERRY TREE. Roman painting (1st cent.) from a Roman house of Villa Rospigliosi - Rome, Museo nazionale romano. Above right: CUPIDS WITH THE "PEDUM" AND RIBBONS. Detail of the frescoed vault of the hypogeum, called of the Flavians (2nd cent.) - Rome, Cemetery of Domitilla. Below left: FUNERARY GENIUS WITH INVERTED TORCH. Side of the sarcophagus of Salona (4th cent.) - Split, Museum. Below right: FUNERARY GENIUS WITH INVERTED TORCH. Sculpture by Wiligelmo on the facade of the Cathedral of Modena (12th cent.). Plate I Genius ST. JANUARIUS, martyr, in the attitude of an orant, between the deceased Nicatola, a girl, and Cominia. Fresco of the 5th cent. Naples, Catacombs of St. Januarius. Plate II Januarius, Bishop of Benevento, Saint, Martyr, and Companions CATHEDRAL OF ST. LAWRENCE Plate III Genoa, Archdiocese of MAP OF EUROPE by Albino de Canepa (1480) - Rome, Biblioteca nazionale. Plate IV Geography Above: THE EROSIVE ACTION OF THE SEA CAUSES THE CONTINUOUS FLAKING OF THE ROCKS Plate V Geography Above left: PANORAMA. In the foreground remains of the ancient city. Above right: REMAINS OF THE ROMAN THEATRE. Plate VI Geras (Geras) THE PROPHET JEREMIAH Plate VII Jeremiah (Hebrew Yirmeyāh[â] = "Yahweh Exalts or Establishes") Right: bell tower of St. Martin (12th-13th cent.). Plate VIII Germany Above left: CENTRAL NAVE AND CHOIR of St. Godehard (1133-78) - Hildesheim. Above right: CENTRAL NAVE AND CHOIR of the Cathedral (13th cent.) - Bamberg. Below left: CENTRAL NAVE AND CHOIR of the church of the Holy Cross (14th cent.) - Schwäbisch-Gmünd. Below right: CHURCH OF DIESSEN (Upper Bavaria), completed in 1739. Architect Johann Michael Fischer, stuccoes by Feichtmayr and Nebelhör. Ceiling paintings by Bergmüller. Plate IX Germany Above left: ST. PETER AND THE MAIDSERVANT. Detail of the balustrade of the western choir of the Cathedral (ca. 1260) - Naumburg. Above right: SELF-PORTRAIT IN WOOD BY JÖRG SYRLIN (1468-74). Detail of the choir of the Cathedral - Ulm. Below left: MARY AND THE ARCHANGEL GABRIEL. Sculpture of the beginning of the 14th cent. - Regensburg, Cathedral. Below right: ANGEL by Johann Georg Greiff (ca. 1745). Wood sculpture - Munich, church of the Holy Spirit. Plate X Germany Above left: MADONNA. Panel by Hans Burgkmair (beginning of the 16th cent.) - Nuremberg, National Museum. Plate XI Germany Above: PORTABLE ALTAR. Detail with scenes of martyrdom, by Roger of Helmarshausen (ca. 1100) - Paderborn, Franciscan convent. Below left: CANDELABRUM IN THE FORM OF A MAN, called "Wolfram", (mid-12th cent.) - Erfurt, Cathedral. Below right: ANTEPENDIUM OF THE HIGH ALTAR, donated by Abbot Hartwig (mid-12th cent.). Detail - Grosskomburg, abbey church. Plate XII Germany Left: FACADE OF THE CATHEDRAL, completed in 1793 - Girona. Right: BALDACHIN in silver, completed in 1326 Plate XIII Girona, Diocese of Left: Perspective plan of Jerusalem according to the floor mosaic of the church of Madaba (6th cent.). Plate XIV Jerusalem Above left: VIEW FROM THE MOUNT OF OLIVES. Above right: WALLS OF THE CITADEL, which probably stands on the site of Herod's palace. Below left: HARAM ES SERIF. Mosque of Omar. Below right: THE CITADEL. Plate XV Jerusalem Above left: IX STATION of the Way of the Cross. Behind the church of the Holy Sepulchre. Above right: GOLDEN GATE. Below left: FOUNTAIN OF THE VIRGIN. Below right: A STRETCH OF THE VIA DOLOROSA. Plate XVI Jerusalem Above: VARIOUS GESTURES. Sarcophagus (4th cent.) - Rome, Museo delle Terme. Below right: GESTURE OF ACCUSATION. The elders accuse Susanna. Fresco of the so-called Greek chapel (2nd cent.) - Rome, cemetery of Priscilla. Below left: GESTURE OF OFFERING. Turtura makes an offering to Mary Most Holy. Fresco of the 7th cent. Detail - Rome, cemetery of Commodilla. Plate XVII Gesti Left: JESUS CHRIST bearded and nimbed with oratorical gesture. Fresco (beginning of the 5th cent.) - Rome, cemetery "ad duas lauros..." Plate XVIII Jesus Christ Above: JESUS CHRIST ENTHRONED AMONG THE APOSTLES. Fresco of the cemetery of Domitilla (4th cent.) - Rome. Centre: BUST OF JESUS CHRIST. Detail of the mosaic decoration of the oratory of St. Andrew (6th cent.) - Ravenna, Archiepiscopal Palace. Below: DOMINUS LEGEM DAT. (The pacem of the inscription is an error for legem). Mosaic (4th cent.) - Rome, mausoleum of St. Constance. Plate XIX Jesus Christ Above: JESUS CHRIST SEATED ON THE GLOBE BETWEEN TWO ANGELS, ST. VITALIS AND ST. ECCLESIUS. Mosaic of the apse of St. Vitalis (6th cent.) - Ravenna. Below: JESUS CHRIST ENTHRONED AMONG FOUR ANGELS. Detail of the mosaic of the right side of the nave of St. Apollinaris the New (6th cent.) - Ravenna. Plate XX Jesus Christ Left: HEAD OF JESUS CHRIST, from the Camera santa (12th cent.) - Oviedo, Cathedral. Plate XXI Jesus Christ CHRIST HIGH PRIEST AND MYSTIC LAMB ON THE ALTAR. Detail of the polyptych by J. van Eyck, completed on 6 May 1432 - Ghent, Cathedral. Plate XXII Jesus Christ Vol. Savioli Plate XXIII Jesus Christ ARREST OF JESUS CHRIST Plate XXIV Jesus Christ Above: BASILICA SEEN FROM THE WEST with a very ancient olive tree. The church is architecture by A. Barluzzi. Plate XXV Gethsemane (Hebrew Gath-Šēmānîm, "Oil Press") GOLDEN DOOR, CALLED OF PARADISE, with scenes from the Old Testament (a. 1425-52) - Florence, Baptistery. Plate XXVI Ghiberti, Lorenzo Above: VIRGIN ENTHRONED AND SAINTS - Florence, Uffizi. Plate XXVII Ghirlandaio, Family PORTAL CALLED OF GLORY (12th-13th cent.) Plate XXVIII Giacomo LETTER OF JAMES THE LESS Plate XXIX Giacomo Above: CHRIST SENT BACK BY PILATE. Bas-relief in the Palazzo dell'Università of Genoa. Plate XXX Giambologna THE FEUDAL CASTLE OF OSAKA Plate XXXI Japan Above: SCENE OF A JAPANESE THEATRE, seen from the stage. Colour woodcut by Hokousai (early years of the 19th cent.). Below: THE MARTYR GRACIA HOSOKAWA, by Luca Hasegawa (20th cent.). Plate XXXII Japan MIRACLE OF THE MULTIPLICATION OF THE LOAVES Plate XXXIII Cimitero dei Giordani Above: THE VIRGIN ENTHRONED. Detail - Castelfranco Veneto (Treviso), church of SS. Liberale and Maria. Below: ADORATION OF THE SHEPHERDS - London, National Gallery. Plate XXXIV Giorgione, Giorgio da Castelfranco detto Il Left A VERY MODERN COMPOSING MACHINE: the linotype (L'Avvenire d'Italia) - Bologna. Top right: THE COMPOSING MACHINES AND THE PAGINATION DESKS (L'Italia) - Milan. Bottom right: A MODERN ROTARY PRESS IN OPERATION. Printing 72,000 copies per hour (L'Italia) - Milan. Plate XXXV Catholic Journalism INCIPIT OF THE BOOK OF JOSHUA Plate XXXVI Joshua MARTYRDOM OF ST. STANISLAUS OF CRACOW Plate XXXVII Gioteschi ST. STEPHEN Plate XXXVIII Giotto di Bondone BIRTH OF ST. JOHN; ZACHARIAS WRITES HIS NAME - Florence, church of St. Croce. Plate XXXIX Giotto di Bondone Left: THE EVANGELIST IN THE ACT OF WRITING. Miniature from the Evangelary of Lorach (9th cent.) - Biblioteca Vaticana. Right: THE EVANGELIST WITH BOOK IN HAND. Miniature prefixed to the Gospel of St. John (12th cent.) - Rome, Biblioteca Casanatense, Greek codex 165, fol. 131 v. Plate XL John, Apostle, Evangelist, Saint Above: MARTYRDOM OF ST. JOHN. Fresco by Filippino Lippi in S. Maria Novella (1503) - Florence. Plate XLI John, Apostle, Evangelist, Saint Left: BIRTH OF ST. JOHN THE BAPTIST. Painting by F. Gallegos (late 15th cent.) - Madrid, Museo del Prado. Plate XLII John the Baptist Left: STATUE OF ST. JOHN THE BAPTIST, attributed to Silvestro dell'Aquila (15th cent.) - Penna S. Giovanni (Macerata), church of the Saint. Plate XLIII John the Baptist (el. Fiorentini) Plate XLIV John the Almoner Left: ST. JOHN THE BAPTIST POINTS JESUS OUT TO THE DISCIPLES: Ecce Agnus Dei - Chicago, Art Institute, Ryerson collection. Right: SALOME BRINGS THE HEAD OF ST. JOHN THE BAPTIST TO HEROD - Chicago, Art Institute, Ryerson collection. Plate XLV John of Paolo (Johannes Pauli) PULPIT OF THE CATHEDRAL Plate XLVI John Pisano Above: CATHOLIC ACTION AND ITS ACTIVITY: a summer camp. Plate XLVII Italian Catholic Action Male Youth Above: ST. JEROME IN HIS STUDY. Painting by Vittore Carpaccio (1502-11) - Venice, church of S. Giorgio degli Schiavoni. Below: THE SAINT IN PRAYER IN THE DESERT. Painting by Jacopo Bassano (16th cent.) - Venice, Accademia di Belle Arti. Plate XLVIII Jerome, Saint Above: THE SEVEN CHURCHES OF ROME, drawn for the use of pilgrims of the Holy Year Jubilee of 1575 - Rome, copy in the Biblioteca nazionale. Below: OPENING OF THE HOLY DOORS IN THE FOUR BASILICAS for the Jubilee of 1725. Print - Biblioteca Vaticana. Plate XLIX Jubilee Above: THE YOUNG DUTCH PILGRIMS of the «Œuvre de la Famille chrétienne» of Breda return to S. Marta after singing the Creed in St. Peter's Square (10 May 1950). Below left: SWISS CATHOLIC EXPLORERS on the steps of St. Peter's (Apr. 1950). Below right: INDIAN PILGRIMS (Holy Year 1950). Plate L Jubilee Above: VALLEY OF THE KEDRON or of Jehoshaphat, on the left the village of Siloam. Plate LI Judea Above Christ in Limbo. Mosaic of the late 12th cent. - Torcello, Cathedral. Plate LII Divine Judgment Fresco by Michelangelo (1536-41) - Sistine Chapel. Plate LIII Divine Judgment TRIUMPH OF JULIUS II. 'Hierusalem Syon que tuus pater ecce triumphat - Julius expulsis hostibus atque nepos,,. Miniature of the early years of the 16th cent. from the Johannis Michaelis Nagonii, ad divum Iulium II et Franciscum Mariam Nepotem Carminum Libri VIII - Biblioteca Vaticana, cod. Vat. lat. 1682, f. 8v. Plate LIV Julius II, Pope SARCOPHAGUS OF JUNIUS BASSUS (359) - Vatican Grottoes. Plate LV Sarcophagus of Junius Bassus CRUCIFIX Plate LVI Giunta Pisano DISCOVERY OF JOSEPH'S CUP IN BENJAMIN'S SACK Plate LVII Joseph (Heb. Yôsēph; Ps. 81, 6 Yĕhôsēph = «God Increases») ST. JOSEPH IN THE MARRIAGE WITH THE VIRGIN Plate LVIII Joseph (Heb. Yôsēph; Ps. 81, 6 Yĕhôsēph = «God Increases») Above left: HOUSE OF ST. BENEDICT COTTOLENGO - Chieri. LITTLE HOUSE OF DIVINE PROVIDENCE: Above right: Pavilion "Buone Figlie e Micheline"; Below left: Laundry. Below right: Infirmary "SS. Angeli Custodi", (children's section). Plate LIX Giuseppe Benedetto Cottolengo, Saint Left: PORTRAIT OF EMPEROR JUSTINIAN. 6th cent. mosaic - Ravenna, church of S. Apollinare Nuovo. Right: INSTITUTIONES WITH GLOSS AND MINIATURE WITH JUSTINIAN AMONG THE MAGISTRATES - Biblioteca Vaticana, Urb. lat. 164, f. 1r (14th cent.). Plate LX Justinian, Flavius Anicius Julianus (Flavius Anicius Iulianus Iustinianus), Emperor of the East (527-565) FRESCOES IN THE INTERIOR OF THE BAPTISTERY - Padua. Plate LXI Giusto De' Menabuoi DAVID KILLS THE GIANT GOLIATH Plate LXII Goliath (Heb. Goljath) Left: GONFALON OF THE CONFRATERNITY OF S. MARIA NUOVA. The confraternity members between St. Benedict, St. Scholastica and Blessed Paolo Bigazzini implore Jesus to cease an epidemic. Painting by Benedetto Bonfigli (15th cent.) - Perugia, church of S. Maria Nuova. Right: GONFALON OF CITTÀ DI CASTELLO. The Holy Trinity and Saints Roch and Sebastian (on the other side the creation of Eve). Painting by Raphael (1500-1501) - Città di Castello, Pinacoteca. Plate LXIII Gonfalon Above: FACADE OF THE DUCAL PALACE (14th-15th cent.) - Mantua. Below: LODOVICO II WITH HIS WIFE AND THE CHILDREN OF FEDERICO. Detail of the fresco by Andrea Mantegna - Mantua, Palazzo Ducale, or Reggia dei Gonzaga. Plate LXIV Gonzaga, Bonaventura Above: GENTILITIAL CHAPEL OF THE FLORENTINE RABATTE FAMILY, in the village of Castello (14th cent.) - Gorizia. Below: INTERIOR OF THE DUOMO (16th-18th cent.). Plate LXV Gorizia, Archdiocese of Above: APSE AND SOUTH FACADE of the cathedral of León (13th-14th cent.). Plate LXVI Gothic, Art Left: FACADE AND OCTAGONAL BELL TOWER of the church of S. Maria delle Scale (14th-15th cent.) - Vienna. Plate LXVII Gothic, Art INTERIOR OF THE CHURCH OF S. STEFANO (14th cent.) Plate LXVIII Gothic, Art Left: AGONY IN THE GARDEN, Master of Třeboň (ca. 1380) - Prague, National Gallery. Plate LXIX Gothic, Art Left: ARCHANGEL GABRIEL. Marble sculpture by Nino Pisano (14th cent.) - Pisa, church of S. Caterina. Right: MADONNA OF KRUMLOV, wooden sculpture (ca. 1400) - Vienna, State Gallery. Plate LXX Gothic, Art Above left: RIGHT SIDE OF THE RELIQUARY OF ST. GRATUS, work by the goldsmith Giovanni di Malines (1421-58). Figure in half-round of the Saint. Above right: OSTENSORY FOR THE CORPUS DOMINI PROCESSION (a. 1515) - Zamora, Cathedral. Below left: SILVER GILT CHALICE (15th cent.) - Bitonto, Cathedral. Below right: COVER OF A RITUAL with the portrait of Bishop Federico Vanga (13th cent.) - Trento, Duomo, Treasury. Plate LXXI Gothic, Art Left: ITALIAN GOTHIC MINUSCULE. Missale secundum consuetudinem Romane curie. Miniature attributed to the Sienese school of the late 14th cent. - Amsterdam, antiquarian market. Right: BASTARD GOTHIC MINUSCULE (15th cent.). French version of the romanced History of the Romans - Rome, Biblioteca Casanatense, cod. 233 (formerly A. 1.8) f. 147 f. Plate LXXII Gothic, Script and Miniature Above: THE "THIRD OF MAY", (1808) - Madrid, Prado Gallery. Plate LXXIII Goya y Lucientes, Francisco José Above: CHRISTIAN SARCOPHAGI (5th-6th cent.) - Piazza della Vittoria. Plate LXXIV Grado (fd. Mar) Plate LXXV Grenada, Archdiocese of Vol. Nourécton Plate LXXVI Grande Chartreuse, The VIEW OF THE ACROPOLIS - Athens. Plate LXXVII Greece Left: AJAX AND ACHILLES PLAYING DICE. Vase painting by Exekias (mid-6th cent. B.C.) - Vatican, Museo Gregoriano Etrusco. Plate LXXVIII Greece Left: FUNERARY STELE FOUND AT PIRAEUS (4th cent. B.C.) - Athens, National Museum. Right: GREEK VERSION OF THE BIBLE: Book of Job with catena. The miniature represents Job answering the three friends - Biblioteca Vaticana, cod. Vat. grec. 749 f. 63 v (9th cent.). Plate LXXIX Greece ST. FRANCIS. Plate LXXX Greco, Domenico Theotokopoulos, called Il GREGORY I DICTATING. The deacon Peter observes the dove, symbol of the Holy Spirit, resting on the Pope's shoulders. Miniature from the Registrum S.ti Gregorii (10th cent.) - Trier, Stadtbibliothek. Plate LXXXI Gregory I, Pope, Called the Great Plate LXXXII Gregory VII Anawarzetzi (of Anarzaba) MONUMENT TO GREGORY XV, Plate LXXXIII Gregory XV, Pope Above: CHURCH OF S. LORENZO, north side (12th cent. with later restorations). Plate LXXXIV Grenoble, Diocese of FRONT COVER IN LEATHER AND SILVER OF THE GRIMANI BREVIARY (late 15th cent.) with the portrait of doge Antonio G. father of the cardinal - Venice, Biblioteca di S. Marco. Plate LXXXV Grimani, Domenico Left: CHURCH OF S. FRANCESCO SEEN FROM THE APSE. Building begun by fra' Bevignate in 1259, completed in 1292. Right: BENTIVOLLO BISHOP OF GUBBIO CEDES THE LAND TO BUILD THE NEW CATHEDRAL THERE (1188-94). Parchment from the Cathedral Archive. Plate LXXXVI Gubbio, Diocese of Above: THE "AURORA". Fresco in the Casino of the Villa Ludovisi - Rome. Plate LXXXVII Guercino, Giovanni Francesco Barbieri, detto Il CHRIST ENTHRONED CROWNS KING WILLIAM II. Plate LXXXVIII William II, Emperor of Germany and King of Prussia Above: PARISH CHURCH OF OSSIACH, formerly of the Benedictine monastery founded there (ca. 1028) and suppressed in 1783. Below: CRYPT OF THE DUOMO (1174). Plate LXXXIX Gurk, Diocese of ENOCH. 12th-cent. fresco - Rome, basilica of S. Croce in Gerusalemme. Plate XC Enoch (Hebrew: Hānōkh) Left: CRUCIFIXION. Miniature from the Hortus deliciarum, f. 150° (1230) - Paris, Bibliothèque nationale. Plate XCI Herrad of Landsberg (Landisperg) PORTRAIT OF JANE SEYMOUR Plate XCII Holbein, Hans the Younger MOSAIC ICONS. The Annunciation, the Nativity, the Presentation in the Temple, the Baptism of Jesus, the Transfiguration, the Raising of Lazarus (11th-cent. Byzantine school) - Florence, Museo dell'Opera del Duomo. Plate XCIII Icons Left: MADONNA WITH CHILD AND TWO ANGELS WITH THE EMBLEMS OF THE PASSION. Rico da Candia, Venetian-Cretan school (16th cent.) - Fiesole, Pinacoteca. Right: THE PANTOCRATOR. Greek school (16th cent.) - Pinacoteca Vaticana. Plate XCIV Icons Left: ICONOSTASIS OF WESTERN TYPE from the 12th cent. with sculptures by Jacobello and Pier Paolo dalle Masegne (1394) and bronze and silver cross by Jacopo di Marco Renato (1393) - Venice, basilica of S. Marco. Right: ICONOSTASIS OF EASTERN TYPE (17th cent.) - Patino, Monastery of S. Giovanni. Plate XCVI Iconostasis Above: ICONOSTASIS OF EASTERN TYPE (16th cent.) - Lindo (Rhodes) church of the Madonna. Plate XCVII Iconostasis PAINTING BY JUAN DE LAS ROLLAS (1558-1625). Plate XCVIII Ignatius of Loyola, Saint Above left: VOTIVE LAMP IN SILVER (5th cent.) - Rome, basilica of SS. Silvestro e Martino ai Monti. Centre left: INTERIOR OF THE BASILICA OF TOURS WITH LIGHTING. Detail of the apse musician of the basilica of S. Ambrogio (5th cent.) - Milan. Below left: GILDED COPPER CROWN DONATED BY FREDERICK BARBAROSSA for the lighting of the Cathedral in memory of his coronation. Work of the goldsmith Wiberio (second half of the 12th cent.) - Aachen. Right: INTERIOR OF A SACRED BUILDING WITH HANGING CROWN AND LAMPS (GABATE) (5th cent.). Left side of an ivory casket - Pola, Civic Museum. Plate XCIX Illumination in Ancient Churches Above left: COD. DE ADVOCATIS, f. 1°, l. I, heading, ch. 1 and part of 2. The scribe began to transcribe the text in two columns (late 13th cent. - first half 14th cent.). The black stains are due to the reagents used in the last century to revive the writing worn by use. Above right: COD. DE ADVOCATIS, f. 47°, l. IV, ch. 11 and beginning of 12. The scribe continued to transcribe the text normally in full lines (late 13th cent. - first half 14th cent.) - Vercelli, Archivio della Metropolitana. Below left: FRAGMENTA VERCELLENSIA. Fragment B, l. III, ch. 2 and beginning of 3. The 3 fragments of this important codex transcribed in the 14th cent., come from a book binding and were found in 1924 at Rossignano Monferrato - Vercelli, Archivio della Metropolitana. Below right: CODEX GEORGIANUS, f. 67°, l. IV, end of ch. 17 and ch. 18. The codex was transcribed between the end of the 14th cent. and the early 15th cent. - Padua, University Library, ms. no. 950. Plate C Imitation of Christ (De Imitatione Christi) Left: MEETING OF JOACHIM AND ANNA. Miniature to illustrate the feast: In Concepzione beate Marie. Breviary of Besançon or breviary of Charles of Neufchâtel - Besançon, Municipal Library, manuscript 69, p. 346 (late 15th cent.). Right: THE IMMACULATE VIRGIN with symbolic depictions of some of her titles. Engraving adorning the beginning of the Revelationes extravagantes in the Roman ed. of 1556 - Rome, copy in the National Library. Plate CI Immaculate Conception Left: THE IMMACULATE VIRGIN BETWEEN ST. ANSELM AND ST. AUGUSTINE. Glazed terracotta relief by Giovanni della Robbia (15th cent.) - Empoli, Collegiata. Right: DETAIL OF THE PAINTING OF THE IMMACULATE CONCEPTION by B. E. Murillo (17th cent.) - Paris, Louvre. Plate CII Immaculate Conception Above: STAIRCASE DECORATED IN EMPIRE STYLE. Work by Pasquale Poccianti (early 19th cent.) - Florence, Palazzo Pitti. Below: PRIVATE AUDIENCE HALL, decorated in Empire style (early 19th cent.) - Milan, Palazzo Reale. Plate CIII Imperial Style Above left: A VASE OF FLOWERS, E. Manet (late work) - Paris, Louvre. Above right: LA FEMME À LA POTICHE, E. Degas (1872) - Paris, Louvre. Below left: LA FEMME À L'OMBRELLE, C. Monet, exhibited at the Salon of 1867. Below right: LA PREMIÈRE SORTIE, A. Renoir (1874-76) - London, Tate Gallery. Plate CIV Impressionism DIOGENES (after Parmigianino). Plate CV Engraving Above: THE OAK FAIR. Etching by C. A. Petrucci (1928) - Rome, Calcografia nazionale. Plate CVI Engraving (Left: THE POPE CROWNS THE EMPEROR. Miniature from the Pontifical of Arles (2nd half of the 14th cent.) - Paris, National Library ms. lat. 9479, f. 117. Right: CONSECRATION OF THE KING OF FRANCE: the tunic fastened; the royal mantle; coronation; kiss of peace. Miniature from the Pontifical of Châlons-sur-Marne (second half 13th cent. - Paris, National Library, ms. lat. 1246, f. 51. Plate CVII Coronation Left: CARDINAL FRANCESCO SALESIO DELLA VOLPE CROWNS BENEDICT XV in the Sistine Chapel (6 August 1914). Right: CARDINAL CAMILLO CACCIA DOMINIONI CROWNS PIUS XII on the loggia of St. Peter's (12 March 1939). Plate CVIII Coronation CHRIST CROWNS MARY MOST HOLY. Panel by B. Angelico - Paris, Louvre Museum. Plate CIX Coronation CHRIST CROWNS MARY MOST HOLY. Plate CX Coronation DECRETUM GRATIANI, Venice 1474. Plate CXI Incunabulum Above: VIEW OF JODHPEW (Bombay). Plate CXII India Above: THE «SEVEN PAGODAS» 35 miles south of Madras. Plate CXIII India Above: THE SACRED BULL, carved in the rock at Chamundi Hill, Mysore: here until a century ago human sacrifices were offered. The bull is a colossal figure of Naudi, sacred to the God Liva, work of 1659 A.D. Plate CXIV India Above left: BISHOP'S HOUSE of Dinajpur. Above right: CARDINAL GILROY LANDS AT BOMBAY for the first Indian plenary Council (1950). Below left: THE ORPHANAGE OF ST. VINCENT DE PAUL - Calicut. Below right: LECTURE WITH SLIDES given by a missionary - Bombay. Plate CXV India FRESCO BY NARDO DI CIONE (c. 1357) - Florence, church of S. Maria Novella, Cappella Strozzi. Plate CXVI Hell FRESCO ATTRIBUTED TO VITALE DA BOLOGNA (14th cent.) - Pisa, Camposanto. Plate CXVII Hell Above: VIEW OF THE VILLAGE OF WALL in the upper Tyne valley. Below: RUINS OF THE CHURCH OF ST. GERMANUS (1226-43) - St. Patrick's Isle, in the middle of the Irish Sea. Plate CXVIII England Left: KEEP CASTLE - Leeds (Liverpool). Plate CXIX England Left: VIEW OF THE VILLAGE OF LACOCK. Much of the village architecture is from the 14th cent. Plate CXX England Left: BEWCASTLE CROSS (ca. 670). Centre: DIPTYCH MADE FOR THE BISHOP OF EXETER (1327-69) - London, British Museum. Right: STOLE OF ST. CUTHBERT (934) - Durham, Cathedral Library. Plate CXXI England Left: TREE OF JESSE. Miniature from the Tickhill Psalter (14th cent.) - New York, Public Library. Right: LETTER "A", DECORATED WITH SCROLLWORK AND VINE TENDRILS AND TWO FANTASTIC ANIMALS: an eagle and a chimera. Miniature of English school of the 12th cent. adorning a commentary of Bede on the Apocalypse - Amsterdam, antiquarian market 1929. Plate CXXII England KNEELER. Plate CXXIII Kneeler Left: BORA CEREMONY IN EASTERN AUSTRALIA. The young are initiated into the mysteries of the tribe. Plate CXXIV Initiation JESUS BEFORE PILATE. Painting by Jacopo Tintoretto: detail (1565) - Venice, scuola di S. Rocco. Plate, p. 155 Jesus Christ MADONNA D'OGNISSANTI. Detail - Florence, Galleria degli Uffizi. Plate, p. 307 Giotto LAST JUDGMENT. Panel painted and signed by the masters Giovanni and Niccolò of the Roman Benedictine school (second half of the 11th cent.) - Rome, Pinacoteca Vaticana. Plate, p. 447 Giudizio Universale THE "IVERSKAJA BOGORODICA". Icon in Byzantine style donated by Russian Catholics to Pius X (St. Petersburg 1908) - Rome, private collection. Plate, p. 893 Icona Left: WELL-HEAD WITH SCULPTURES OF ICONOCLASTIC TYPE (8th cent.) - Venice, Museo civico. Plate, p. 905 Iconoclasm

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