Enciclopedia Cattolica

Plates · Volume XI (1953)

162 plates · Entries · All volumes

The volume's full-page plates, in their printed numbering. Each plate also appears in the entry it illustrates.

Above: VILLA DUODO, now Balbi-Valier, built on a design by V. Scamozzi - Monselice. Plate I Scamozzi, Vincenzo Above left: STAGE DESIGN OF A MONUMENTAL SQUARE. Drawing by G. B. Feranzi (1720-78). Above right: CLASSICAL STAGE DESIGN WITH SQUARE AND RUINS. Drawing by B. Feranzi (1481-1536) - Florence, Uffizi, Gabinetto dei disegni e delle stampe. Below left: SCENE FOR ACT I OF SIGFRIDO. Drawing by A. Appia (1862-1928). Below right: SCENE FOR THE KAFKA-GIDE TRIAL, at the Teatro dell'Università di Roma (1949). Drawing by E. Frampolini. Plate II Scenography Above: SCHOLA CANTORUM of the basilica of S. Sabina built or renovated under the pontificate of Eugene II (824-27), reconstructed with the original fragments in 1936 - Rome. Below: SCHOLA CANTORUM of the basilica of S. Maria in Cosmedin built under the pontificate of Callixtus II (1119-24), reconstructed with the original fragments in 1898 - Rome. Plate III Schola Cantorum Left: DEATH OF ST. SCHOLASTICA. Fresco of the 14th cent. - Subiaco, S. Speco. Right: MEDALLION WITH ST. SCHOLASTICA; below St. Benedict commands the raven to carry away the poisoned bread. Fresco by Maestro Consolo and assistants (13th cent.) - Subiaco, S. Speco, lower church. Plate IV Scholasticism Above left: CRUCIFIXION with the standards bearing the scorpion, on white background, and the monogram SPQR. Miniature of Missal, attributed to Niccolò da Bologna (ca. 1350) - Biblioteca Vaticana, cod. del Capitolo di S. Pietro 63 B, f. 189°. Above right: THE LIBERAL ARTS, with Dialectic at the centre distinguished by the scorpion. Detail of the fresco by S. Botticelli, depicting Lorenzo Tornabuoni presented by Minerva to the Liberal Arts (1486) - Paris, Louvre. Below: ASCENT TO CALVARY. The scorpion is reproduced on the white standard in the centre and on a rectangular banner of white cloth, hung on a trumpet. The purple standard of the Romans bears the noted monogram arranged in this way: RQPS. Fresco by Giacomo Jaquerio of Turin (first half of the 15th cent.) - S. Antonio di Ranverso, sacristy of the abbey church. Plate V Scorpion Above left: VIEW OF THE PORT OF KINLOCH BERVIE, the most northerly on the east coast of Scotland. Above right: LOCH DUICH AND KINTAIL. Below left: THE PORT OF GLASGOW. Below right: THE CHURCHYARD of the Greyfriars church, where, in 1638, the National Covenant and the Solemn League and Covenant against the ecclesiastical innovations arbitrarily imposed by Charles I were signed by thousands of people - Edinburgh. Plate VI Scotland Left: THE SCRIBE. Egyptian limestone sculpture (5th dynasty, ca. 2400 B.C.) - Paris, Louvre. Right: VEILED WOMAN in the act of placing grains of incense on a small brazier. Detail of the «Ludovisi Throne». Greek sculpture of the first decades of the 5th cent. B.C. - Rome, Museo delle Terme. Plate VII Sculpture Left: THE MAGDALEN. Sculpture by Donatello (after 1453) - Florence, Baptistery of S. Giovanni. Plate VIII Sculpture ZNAIM ALTAR. Plate IX Sculpture Above: SCHOOLROOM WITH PROFESSOR IN THE CHAIR. Detail of the tomb monument to the jurist Filippo Lazzeri, begun by B. Rossellino in 1462, and completed by A. Rossellino in 1468 - Pistoia, church of S. Domenico. Below: THE MASTER ANGELO TEACHES a group of boys among whom is St. Nicholas of Tolentino. Fresco of the 14th cent. - Tolentino, basilica of S. Nicola, cappellone. Plate X School Above: INTERIOR OF THE CHURCH OF THE HOLY FAMILY at Cederna (Monza), built by the "Beato Angelico" School (1937-38). Below: THE CHAPEL OF THE THEOLOGIANS, in the Seminary of Venegono, decorated by the "Beato Angelico" School (1941). Plate XI Superior School of Christian Art "Blessed Angelico" Above left: ST. SEBASTIAN AND TWO DONORS. Painting attributed to Antoniazzo Romano (second half of the 15th cent.) - Rome, Museo di Palazzo Venezia. Above right: ST. SEBASTIAN. Painting by Antonello da Messina (c. 1475) - Dresden, Picture Gallery. Below: ST. SEBASTIAN. Sculpture by Antonio Giorgini after a model by G. L. Bernini (17th cent.) - Rome, basilica of S. Sebastiano. Plate XII Sebastian Left: DEPOSITION (after restoration) - Viterbo, Museo. Plate XIII Sebastiano del Piombo Above left: MAUSOLEUM OF FERDINAND II, by the architect Pietro di Pomis (1614-33), completed by Pietro Valnegro (1638) - Graz. Above right: INTERIOR OF THE ABBEY CHURCH OF SECKAU, built in 1142-64, restored in 1890. At the beginning of the choir, high under the vault, group of the Crucifixion of the 13th cent. Below: INTERIOR OF THE CHURCH OF THE FORMER CISTERCIAN ABBEY (14th cent.) with Baroque altars - Neuberg on the Mürz. Plate XIV Seckau, Diocese of Above: NATURE. Part of an allegorical triptych Of Nature, Life and Death (1894-99) - St. Moritz, Segantini Museum. Below: "THE TWO MOTHERS" - Milan, Galleria d'arte moderna. Plate XV Segantini, Giovanni Above left: EXTERIOR OF THE ROMANESQUE CHURCH OF S. STEFANO (13th cent.) - Segovia. Above right: INTERIOR OF THE CATHEDRAL (16th cent.) - Segovia. Below: VIEW OF THE CATHEDRAL (16th cent.) - Segovia. Plate XVI Segovia, Diocese of Left: MONUMENTAL ENTRANCE of the Abbey built between 1719 and 1747 by Giuseppe Munggenast and Giovanni Gottardo Hayberger. In the foreground the statue of St. Peter on the church steps. Right: FACADE OF THE ABBEY CHURCH (1707-11). Plate XVII Seitenstetten Left: DECORATION OF THE APSE VAULT of the crypt of the cathedral of Auxerre. In the centre Christ mounted on a white horse, at the sides four angels likewise on horseback (late 12th cent.). Right: PONTIFICAL OF THE CHURCH OF SENS (15th cent.). Bishop blessing from an ambo - Brussels, Bibliothèque Royale, no. 9215, f. 1. Plate XIX Sens, Archdiocese of Left: SOUTHERN PART of the medieval ambulatory of the basilica of the Holy Sepulchre. On the left, chapel of the division of the garments; on the right, chapel of the "reproaches" - Jerusalem. Right: THE CALVARY, altar of the Latins. Under the altar can be seen the natural rock protected by glass - Jerusalem, basilica of the Holy Sepulchre. Plate XX Holy Sepulchre, The THE NINE ANGELIC CHOIRS. THE SERAPHIM, ILLUMINATED IN RED, OCCUPY THE LAST RED HEAVEN WITH GOLDEN STARS. Miniature of the French school of the first half of the 15th cent., placed at the beginning of Book II of Le miroir historial by Vincent of Beauvais, translated by Jean de Vignay - Biblioteca Vaticana, cod. Reg. lat. 538, f. 10². Plate XXI Seraphim Above: VILLAGE OF HUTS, near Kumanovo. Plate XXII Serbia Above: REMAINS OF THE PRESBYTERY of the church of the Seven Sleepers at Ephesus (5th cent.). Below: THE SEVEN SLEEPERS IN THE CAVE. On the right the bag, taken by Jamblichus to put food in it, as the legend has it, during the brief and temporary return to life. Miniature from the Menologion of Basil II (967-1025) - Biblioteca Vaticana, cod. Vat. grec. 1613, f. 133. Plate XXIII Seven Sleepers, Saints Left: PORTRAIT OF FRANCESCO SFORZA. Relief by G. C. Romano (15th cent.) - Florence, Museo nazionale. Plate XXIV Sforza, Family Left: SFORZA CHAPEL, executed after a design by Michelangelo for Card. Ascanio Guido Sforza (d. 1564), completed by G. della Porta at the time of Card. Alessandro Sforza (1573) - Rome, basilica of S. Maria Maggiore. Right: FUNERARY MONUMENT TO CARD. ASCANIO SFORZA, by Andrea Sansovino (1505) - Rome, church of S. Maria del Popolo. Plate XXV Sforza, Family SEALS: 1, 2, 3, of the cardinals Matteo Rosso Orsini, Gerardo Bianchi, Giov. Boccamazza (1294); 4. of Giovanni Visconti, bishop of Novara (1341); 5. of card. Amedeo of Savoy (1449); 6. of Vodalrico, bishop of Trieste (1245); 7. of Dionigi de Baregianis, doctor of law (14th cent.); 8. of Leone da Perego, archbishop of Milan (1245); 9. Seal "ad causas", of the Episcopal Curia of Gubbio - Vatican Archives. Plate XXVI Sfragistics ECCLESIASTICAL SEALS OF THE 13TH-16TH CENTURIES: 1. of Stefano G. Merino, archbishop of Bari; 2. of Ludovico Beccatelli, apostolic legate (1552); 3. of the bishop of Comacchio; 4. of Alessandro de' Medici, card. and legate; 5. "Ave Maria,, etc. (it is one of the very rare seals with the scene of monastic profession); 6. of Raffaelle card. and archbishop of Pisa; 7. of a bishop "elect": Teodorico, prior of S. Andrea di Orvieto and chaplain of the Pope, "elect of Palermo" (the figure of the titular does not yet bear the episcopal attributes); 8. of card. Marcello Cervini (1545), later pope Marcello II; 9. of fra' Giacomo, pontifical penitentiary (the titular has the "virga correctionis", sign of the office) - Palazzo Venezia, Corvisieri collection. Plate XXVII Sfragistics Above left: VIEW OF THE CITY. Above right: THE CHAPEL of the Catholic University "Aurora", of Shanghai. Below left: CATHOLIC CHURCH. Below right: MEDICAL STUDENTS in a faculty laboratory of the Catholic University "Aurora", of Shanghai. Plate XXVIII Shanghai, Diocese Of Left: ERYTHRAEAN SIBYL. Fresco by Michelangelo, vault of the Sistine Chapel. Plate XXIX Sibyl Above left: VIEW OF TAORMINA FROM THE STREET OF THE SAME NAME. Above right: VIEW OF THE CONCA D'ORO - Palermo. Plate XXX Sicily Above left: CHURCH OF S. MARIA DELLA CATENA. Work by M. de Carnelivari (late 15th cent.) - Palermo. Above right: CHURCH OF S. ANTONIO at Taormina (14th cent.). Below left: EXTERIOR OF THE CHURCH OF S. PIETRO (17th cent., with bell tower of the 18th cent.) - Acireale. Below right: INTERIOR OF THE CHURCH OF S. CATALDO at Palermo (12th cent., restored in 1884). Plate XXXI Sicily Above left: MOSAICS OF THE PALATINE CHAPEL of the Royal Palace (12th cent.) - Palermo. Above right: MADONNA AND CHILD. Central part of the triptych by Antonello da Messina (1473) - Messina, National Museum. Below: ST. BENEDICT GIVES THE RULE, symbolized by two loaves. Canvas by P. Novelli (1635) - Monreale, former Monastery of the Benedictines. Plate XXXII Sicily Left: THE MADONNA OF GOOD REST. Sculpture attributed to Antonello Gagnini (1528) - Palermo, National Museum, from the Cappella degli Ansalone allo Spasimo. Right: BAROQUE ALTAR WITH THE TREE OF JESSE (17th cent.). The wooden Crucifix is of the 15th cent. - Monreale, Cathedral, chapel of the Crucifix. Plate XXXIII Sicily Above left: EXTERIOR OF THE COLLEGIATE CHURCH of S. Agata (14th cent.) - Asciano near Siena. Above right: EXTERIOR OF THE CHURCH OF S. MARIA DI PROVENZANO, work by Flaminio del Turco (1594) on a design by fra' D. Schifardini - Siena. Below left: THE FONTEBRANDA in the reconstruction of 1246 by Giov. di Stefano: above St. Dominic (13th-14th cent.) - Siena. Below right: HOUSE OF ST. CATHERINE and oratory of the Contrada dell'Oca (1464-74) in Via Fontebranda - Siena. Plate XXXIV Siena, Archdiocese of Above: AERIAL VIEW WITH THE PIAZZA DEL CAMPO. Plate XXXV Siena, Archdiocese of Above: MARRIAGE OF THE VIRGIN. Fresco by D. Beccafumi (1518-32) - Siena, upper chapel of the oratory of S. Bernardino. Below: CONCERT AFTER DINNER. Painting by R. Manetti (1570-1639) - Siena, Palazzo Chigi Saracini. Plate XXXVI Siena, Archdiocese of Left: ST. SIGISMUND. Detail of the marble altarpiece by Jacopo della Quercia (1422) - Lucca, church of S. Frediano, Trenta chapel. Centre: THE EMPEROR SIGISMUND ENTHRONED AMONG DIGNITARIES. Marble inlay by Domenico di Bartolo (15th cent.) - Siena, floor of the Cathedral. Plate XXXVII Sigismund, King of the Burgundians, Saint, Martyr Left: THE FLAGELLATION - Milan, Pinacoteca di Brera. Right: EPISODE FROM THE LIFE OF ST. BENEDICT: «How Benedict tells the monks where and when they had eaten outside the monastery». Fresco in the Chiostro Grande - Monte Oliveto Maggiore. Plate XXXVIII Signorelli, Luca Left: TOMB AND ALTAR OF ST. LIBERATA (1518) and tomb of card. bishop Federico of Portugal (d. 15 Jan. 1539) - Sigüenza, Cathedral. Right: SACRISTY OF THE CATHEDRAL, by Martino di Valdona on a design by Alfonso di Covarrubias (1488-1514) - Sigüenza. Plate XXXIX Sigüenza, Diocese of Left: FUNERARY MONUMENT OF CARD. AGNIFILI (1480) - L'Aquila, Cathedral. Plate XL Silvester of Sulmona (of L'Aquila) Above: VIEW. Plate XLI Sinai Above left: THE HOLY FACE, as it appears from the photographic negative. Below left: THE BACK (shoulders and lumbar part), as it appears from the photographic positive with the traces of the scourges. Right: THE SHROUD, as it appears from the photographic positive - Turin, Cathedral, chapel of the Holy Shroud. Plate XLII Shroud Above left: THE MAJORIE AND THE SÉNÉCHALIE of Sion. Above right: CHAPEL OF OGNISSANTI (1325) - Sion. Below: VIEW OF THE CITY with the castle (13th cent.) of Tourbillon and the fortified church (12th cent.) of Valère. Plate XLIII Zion (Heb. Şiyyôn) Above left: ANAPO RIVER WITH PAPYRI. Above right: RUINS OF THE EURIALO CASTLE, built by Dionysius the Elder (late 5th cent. - early 4th cent. B.C.) for defense against the Carthaginians. Below left: GREEK THEATRE, perhaps built by Dionysius the Elder (late 5th cent. - early 4th cent. B.C.). Below right: THE NECROPOLIS OF PANTALICA (12th-8th cent. B.C.). Plate XLIV Syracuse, Archdiocese of Above left: FACADE OF THE CHURCH OF S. GIOVANNI ALLE CATACOMBE (4th-5th cent.). Above right: ARCOSOLIUM OF MARCIA, Christ between Peter and Paul. Left: Marcia, greenfiesta (the name and age of the defunct are indicated in the inscription on the side, while the fragment of inscription on the front of the arcosolium contains the invocation to the Saviour). Fresco from the mid-4th cent. - Syracuse, Catacomb of Cassia. Below left: CUBICULUM WITH FLORAL DECORATION from the 2nd half of the 3rd cent. - Syracuse, Catacomb of Cassia. Below right: CRYPT OF S. MARZIANO, in the Catacombs of S. Giovanni (4th-6th cent.). Surroundings of Syracuse. Plate XLV Syracuse, Archdiocese of Above left: EPISODE OF ULYSSES with a siren, bird-woman, who are the syrinx. Mosaic of the 2nd cent. AD, from Tor Marancia, near the cemetery of Domitilla - Vatican Museums, Braccio Nuovo. Above right: EPISODE OF ULYSSES with three sirens, bird with woman's head, one of which is falling into the sea. Detail of an Attic red-figure vase (late 6th cent. - early 5th cent. BC) - London, British Museum. Below left: EPISODE OF ULYSSES with three sirens, mulierbi figures seated on rocks in the act of playing. Etruscan cinerary urn (3rd cent. BC) - Volterra, Museo Guarnacci. Below right: SIREN, MERMAID. Panel of the 13th cent. - Modena, Cathedral, south wall, above the little loggias. Plate XLVI Sirens Above left: MUSIC (11th-10th cent. BC) at Ras-Samrah - Ugarit. Above right: BASILICA OF RUWEJHAH (4th cent.). Below left: WEST FACADE OF THE CHURCH OF HIRBET TEZIN (8th cent.). Below right: BAPTISTERY OF THE CHURCH OF S. PAOLO E MOSE. (5th cent.) - Dar Kita. Plate XLVII Syria Above: PONTE SISTO, built by Baccio Pontelli under Sixtus IV and the hospital of the beggars, founded by Sixtus V in 1587 and built by Domenico Fontana - Rome. Below: CORONATION OF SIXTUS V (1585), in the background the new Basilica of S. Pietro under construction. Frescoes of the «Salone Sistino» of the Vatican Library, executed by Giovanni Guerra and Cesare Nebbia (1588-89). Plate XLVIII Sisto Iv-V Left: WOODEN BELL TOWER OF HALIĆ (Novohrad). Plate XLIX Slovakia (Slovensko) Above left: MOUNTAIN CHURCH in wood - Javorina (Vysoké Tatry). Above right: GREEK-CATHOLIC CHURCH in wood (18th cent.) - Nyžný Orlík. Below left: CASTLE (14th cent.) and square with the column of the Holy Trinity (18th cent.) - Trenčín. Below right: THE PARISH CHURCH fortified (14th cent.), and the column of the Holy Trinity (18th cent.) - Kremnica. Plate L Slovakia (Slovensko) Above: MADONNA WITH CHILD (c. 1400) from the Whitcomb collection - Detroit, Museum. Plate LI Sluter, Claus Left: MATER DOLOROSA. Painted enamel on copper, attributed to A. Monvaerni. Art of Limoges (15th cent.) - Paris, Musée de Cluny. Plate LII Enamel FLAGELLATION, CRUCIFIXION, JESUS MOCKED. Plate LIII Enamel Above left: PREVENTORIUM OF THE C. R. I. (2nd pavilion) at Malcesine. Below left: DISPENSARY OF THE GERMAN RED CROSS, one of the hundred sent to the C. R. I. for assistance to flood victims. Right: CENTRAL AGENCY FOR PRISONERS OF WAR - Geneva. Central headquarters of the C. R. Plate LIV Red Cross Society Above: SEMINARY FOR FOREIGN MISSIONS. Mother House - Paris. Plate LV Paris Foreign Missions Society Above left: INSTITUTE FOR ASPIRING SALESIANS AND PARISH - Sestín. Above right: SALESIAN CHURCH - Kraków. Plate LVI Salesian Society of Saint John Bosco Above: THE MADONNA CLOTHES ST. ILDEFONSO OF TOLEDO WITH THE PLANET. Fresco in the chapel of the Spaniards - Siena, church of S. Spirito. Below: PRESENTATION OF THE VIRGIN AT THE TEMPLE. Detail of the frescoes (1518-32) in the upper chapel of the oratory of S. Bernardino - Siena. Plate LVII Sodoma, Giovanni Antonio Bazzi, called Il Above left: CEILING OF THE BASILICA OF S. MARIA MAGGIORE, with gilded stuccoes by G. da Sangallo (15th cent.) - Rome. Above right: CEILING OF A HALL OF THE PALAZZO DEI PENITENZIERI, formerly Della Rovere, frescoed by Pinturicchio (late 15th cent.) - Rome. Below left: CEILING OF THE PAULINE CHAPEL, with stuccoes by Martino Ferabosco (1615-17) - Rome, Palazzo del Quirinale. Below right: CEILING OF THE SALA DEI DUECENTO, attributed to Benedetto da Maiano (15th cent.) - Florence, Palazzo Vecchio. Plate LVIII Ceiling Left: MADONNA WITH CHILD AND DONOR by Andrea Solario - Naples, Pinacoteca. Plate LIX Solario, Andrea Above: VIEW OF THE ABBEY, side facing the river Sarthe. Below left: TOMB OF THE VIRGIN in local stone (ca. 1550) - Solesmes, abbey church. Below right: TOMB OF OUR LORD, in local stone (late 15th cent.) - Solesmes, abbey church. Plate LX Solesmes, Abbey of Saint Peter of Left: TRIUMPH OF THE CATHOLIC FAITH over heresy through the work of the Dominican Order. Fresco in the vault of the sacristy of the church of S. Domenico Maggiore - Naples. Right: SELF-PORTRAIT - Florence, Uffizi. Plate LXI Solimena, Francesco Above: INDIGENOUS VILLAGE along the Juba River - Diguma. Plate LXII Somalia Plate LXIII Somme (Paolinifoto - Rome) Plate LXIV Deaf-Mutes Left: APPARATUS OF THE SOVEREIGN MILITARY ORDER OF MALTA for the transport of the sick to Lourdes, flying over Rome. Above right: LOGGIA OF THE HOUSE OF THE KNIGHTS OF RHODES, erected towards the end of the 12th cent. and restored between 1467-70 by Card. Marco Barbo - Rome, Forum of Trajan. Below right: THE GRAND MASTER CHIGI WITH HIS SUITE after an audience with the Holy Father. Plate LXV Sovereign Military Order of Malta Above left: WINDMILLS. Above right: VIEW OF A STREET IN GUADIX. Plate LXVI Spain Above left: RESTORED APSES OF THE CHURCH OF S. MARTINO (11th cent.) - Fromista (Palencia). Plate LXVII Spain Above left: ENTRANCE TO THE CHAPELS OF THE MUÑOZ AND OF THE CABALLEROS (17th cent.) - Cuenca, Cathedral. Above right: INTERIOR OF THE CATHEDRAL of Valladolid, built to a design by Juan de Herrero (16th cent.). Below left: INTERIOR OF THE CHURCH of S. Giacomo, architecture of the 16th cent. with decorations of the 17th-18th cent. - Cadiz. Below right: INTERIOR OF THE CATHEDRAL of Cadiz, begun on 3 May 1722. Plate LXVIII Spain Left: THE LADY OF ELCHE. Stone sculpture of the 4th cent., found at La Alcudia - Madrid, Museo del Prado. Centre: ST. PETER AND ST. PAUL. Detail of the sculpture of the Holy Chamber (12th cent.) - Oviedo, Cathedral. Right: ST. JOHN THE BAPTIST, wooden sculpture by Pedro de Mena (1658-62) - Malaga, choir of the Cathedral. Plate LXIX Spain Above left: ADORATION OF THE MAGI, painting by unknown Spanish artist of the 15th cent. - New York, Kress Coll. Above right: ST. BERNARDINO ASSISTING A WOUNDED MAN. Detail of the polyptych of St. Bernardino, painting by G. Figuerra and R. Thomas (1455-56) - Cagliari, Museo nazionale. Below: CHRIST ENTHRONED AND STORIES OF THE LIFE OF ST. LAWRENCE. Painted wooden antependium of the 11th cent. - Vich, Museo episcopal. Plate LXX Spain Above left: ASCENT TO CALVARY. Detail of the fresco by Giovanni Olivieri (1330) - Pamplona, refectory of the Cathedral. Above right: ST. CATHERINE. Detail of the retable of SS. Catherine, Lawrence and Prudentius, executed by Juan de Levi (1392-1404) - Tarazona, Cathedral, Chapel of the Cardinals. Below left: APPARITION OF ST. LEOCADIA TO ST. ILDEFONSO. Painting by F. Gallego (15th cent.). Retable of St. Ildefonso - Zamora, Cathedral. Below right: LAST COMMUNION OF ST. JOSEPH CALASANZIO. Detail of the painting by Goya (1820) - Madrid, church of St. Anthony. Plate LXXI Spain Left: ST. MARY OF EGYPT - Rome, Galleria Borghese. Plate LXXII Spagnoletto, Jusepe de Ribera, detto Lo Above left: ROMANESQUE BELL TOWER OF THE CATHEDRAL, rebuilt from 1898 to 1909 - Split. Above right: PERIMETER WALLS of the Palace of Diocletian - Split. Below left: PORTAL OF THE BAPTISTERY OF THE CATHEDRAL, formerly temple of Aesculapius in the Palace of Diocletian - Split. Below right: ENTRANCE PORTAL OF THE CATHEDRAL, formerly Mausoleum of Diocletian, under the bell tower rebuilt from 1898 to 1909. In the foreground are seen the columns and arches of the peristyle, and an Egyptian sphinx - Split. Plate LXXIII Spalato (Split), Diocese of Left: THE CATHEDRAL (11th cent.). Plate LXXIV Speyer (Spira), Diocese of Above left: FACADE OF THE CATHEDRAL, consecrated in 1198 with portico by Ambrogio da Milano and Pippo di Antonio da Firenze (1491). The mosaic is by Solsterno (1307) - Spoleto. Above right: FACADE OF ST. PETER with sculptures and Comacine decorations (12th-13th cent.) - Spoleto. Below: TEMPIETTO OF ST. SALVATORE (5th cent.) near the sources of the Clitunno - Spoleto. Plate LXXV Spoleto, Archdiocese of Left: TABERNACLE attributed to Benedetto da Rovezzano (1523) - Spoleto, Pinacoteca comunale. Above right: PALIOTTO with dedicatory inscription of Duke Ilderic, work by Orso (739-40) - Ferentillo, abbey of St. Peter in Valle. Below right: MARBLE BAS-RELIEF, with stories of St. Blaise (10th cent.) from the former church of St. Nicholas. Lunette with cross among vine branches (12th cent.) from, with the two lions, one of the churches destroyed for the erection of the church of St. Nicholas - Spoleto, Museo civico. Plate LXXVI Spoleto, Archdiocese of Above left: 100 m. RACE (Heat). Helsinki Olympics (1952). Above right: COPPI AND KOBLET on the Tourmalet. Tour de France 1951. Plate LXXVII Sport Above left: AUTUMN. Sculpture by G. Caccini (16th cent.) - Florence, ponte a S. Trinita. Above right: WINTER. Sculpture by T. Landini (16th cent.) - Florence, ponte a S. Trinita. Below: SUMMER. Terracotta bas-relief, 18th cent. Villa Reale di Castello - Florence, outskirts. Plate LXXVIII Seasons Above left: TITLE PAGE OF THE «DOTRINA BREVE» compiled by the first bishop of Mexico Juan Zumarraga and published, as read in the colophon, on 14 June 1544 in the city of Tenochtilan (Mexico). It is the first book printed in Mexico. Above right: TITLE PAGE OF THE DOCTRINA CHRISTIANA en letra y lengua china compuesta por los Padres Ministros de los Sangleyes, de la Orden de S. Domingo, Manila 1593. It is the first book printed in the Philippines - Copy from the Vatican Library. Below left: TITLE PAGE OF THE CONFESSORE ISTRUITO NELLE SANTE LEGGI by Father Master Gerolamo Panormitano O. P., translated into the language of Bosnia by Father Stefano Matenica O. F. M., printed in Rome in 1630. Copy from the Library of the S. Congr. de Propaganda Fide - Rome. Below right: TITLE PAGE OF THE SEPTEM HORÆ CANONICÆ in Arabic, Fano, by the types of Gregorio de Gregoris, 1514. Copy from the Library of the S. Congr. de Propaganda Fide - Rome. Plate LXXIX Missionary Press Left: WINTER LANDSCAPE. Notre Dame University. Above right: ROCKY MOUNTAINS. Glacier National Park (Montana). Below right: « SUNNYSIDE », the old house of the writer Washington Irving (1783-1859) at Tarrytown, near the Hudson River. Plate LXXX United States (U.S.A.) Left: CHELLY CANYON, White House (Arizona). Above right: GREAT KIVA, Chetro Ketl, Chaco Canyon (New Mexico). Below right: TALUS-HOUSES, in the front part remains of collective dwellings. Plate LXXXI United States (U.S.A.) Left: WALL STREET, with the « New York Stock Exchange » (1792) - New York. Plate LXXXII United States (U.S.A.) Above left: EXTERIOR OF THE CHURCH OF S. FRANCESCO SAVERIO, architect Barry Byrne - Kansas City (Missouri). Above right: EXTERIOR OF PARK STREET CHURCH (1809) - Boston. Below: INTERIOR OF THE CHURCH OF S. COLUMBA, architect Barry Byrne - Saint Paul (Minnesota). Plate LXXXIII United States (U.S.A.) Left: THE CENTRAL TOWER OF THE NEBRASKA STATE CAPITOL - Lincoln. Plate LXXXIV United States (U.S.A.) Above: VIEW OF TULSA (Oklahoma). Below: VIEW OF CHICAGO, on Lake Michigan. Plate LXXXV United States (U.S.A.) MAP OF THE PAPAL STATE in the 17th cent., from the Atlas Novus sive Theatrum orbis terrarum, III, Amsterdam 1649 - Copy from the Vatican Library. Plate LXXXVI Papal States Left: CARD. ALBORNOZ RECEIVES THE PENTAPOLI IN DEDICATION. Below, verses in honour of Albornoz, card. of S. Sabina, and of Blasco Armando Belvuso, rector of the Marca in 1355. Miniature prefixed to the Registrum Recognitiorum et Iuramentorum Fidelitatis Civitatum in Provincia Marche Anconitate sub Innocento VI. Archivio Segreto Vaticano, armadio XXXV, 20, 6°. Right: INCIPIT OF THE REGISTRUM RECOGNITIONUM et Iuramentorum Fidelitatis Civitatum in Provincia Marche Anconitate sub Innocento VI. Below, coats of arms of Innocent VI (1352-62) and of the Papal State - Archivio Segreto Vaticano, armadio XXXV, 20, 7°. Plate LXXXVII Papal States Above left: MASS IN THE CAMP OF THE PAPAL ARMED FORCES. Lithograph prior to 1870. Above right: ANCIENT PORTA S. LORENZO AND PAPAL SOLDIERS - Rome. Below left: CAMP OF PAPAL ZOUAVES (ca. 1865). Below right: TYPES OF PAPAL ZOUAVES (ca. 1865). Plate LXXXVIII Papal States Above right: LENTEN STATION AT SS. APOSTOLI (1952). The notice board indicates for the following day the Station in the Basilica of S. Pietro. Above right: LENTEN STATION AT S. BALBINA (1952). The stational procession winds behind the Baths of Caracalla - Rome. Below left: LENTEN STATION AT S. MARIA IN TRASTEVERE (1952). Stational procession on the square of the Basilica - Rome. Below right: LENTEN STATION AT S. CLEMENTE (1952). Service at the high altar. Plate LXXXIX Liturgical Station Left: CARD. STEFANESCHI INTENT ON WRITING THE «YSTORIA DE BEATI GEORGII MARTIRIS MIRACULIS». Miniature of the Sienese school, in the Prologue of the Codex of S. Giorgio (ca. 1340) - Biblioteca Vaticana, Arch. cap. di S. Pietro, cod. C. 129, f. 107. Right: CARD. STEFANESCHI PRESENTS TO ST. PETER THE MODEL OF THE POLYPTYCH. Detail of the Polyptych executed by Giotto and pupils for the basilica of S. Pietro (ca. 1320) - Pinacoteca Vaticana. Plate XC Stefaneschi, Giacomo Above: STONING OF ST. STEPHEN. Saul incites the executioners. In the background, on the left, the walls of Jerusalem. Miniature from the Menologion of Basil II (976-1025) - Biblioteca Vaticana, cod. Vat. greco 1613, f. 275. Right: THE FUNERAL OF ST. STEPHEN. Fresco by F. Lippi (1456-66) in the choir of the Cathedral - Prato. Plate XCI Stephen, Saint Left: STIGMATA OF ST. FRANCIS. Detail of the panel by Bonaventura Berlinghieri (1235) - Pescia, church of S. Francesco. Plate XCII Stigmata Above: PANORAMA OF THE CITY FROM THE TOP OF THE CATERINA TOWER. Below left: FUNERARY CHAPEL erected in the 17th cent. near the Gothic church of St. Francis on the island of Riddarholmen. Below right: INTERIOR OF THE CHAPEL OF THE ROYAL CASTLE (early 18th cent.). Plate XCIII Stockholm Left: BYZANTINE FABRIC in red, yellow, green, blue and white silk, with a beast hunt (7th-8th cent.) - Museo Sacro Vat., Treasure of the Sancta Sanctorum. Above right: FABRIC FROM ASIA MINOR (Iran?) in white, green, orange, purple, grey and cream silk, with lions (8th-9th cent.). Note the galloons (periclysin da chysoclavo or «de fundato») - Museo Sacro Vat., Treasure of the Sancta Sanctorum. Below right: GOLD BROCADE with decorative motifs of the Chinese type. Detail of the dalmatic found in the tomb of Benedict XI (d. 1304) - Perugia, church of S. Domenico. Plate XCIV Stoffe Left: RED SILK FABRIC WITH EMBROIDERY (late 13th cent.). Detail of the cope from England, donated by the b. Pius X to the Museo Sacro Vaticano. Above right: FABRIC with the depiction of the months of April and May, from the Church of Baldishol (1100) - Oslo, Kunstindustrimuseet. Below right: BYZANTINE FABRIC (10th-11th cent.). Chasuble of St. Albuinus, woven in silk; the eagles and rosettes are blackish-green, the background is red-purple - Bressanone, Cathedral Treasury. Plate XCV Stoffe Above left: CHASUBLE OF PAUL V (1605-21) in purple damask brocaded with gold - Museo Sacro Vaticano. Above right: CHASUBLE OF URBAN VIII (1623-44) in green-yellow damask fabric with purple embroidery - Museo Sacro Vaticano. Below left: FABRIC WITH THE POMEGRANATE. Detail of an antependium of the 2nd half of the 16th cent. Siena, Museo dell'Opera del Duomo. Below right: VENETIAN VELVET. At the centre of each flower the Medici emblem (15th cent.) - Florence, Museo nazionale, Franchetti collection. Plate XCVI Stoffe Above left: FABRICS FOR WOMEN'S GARMENTS reproduced in a Franco-Flemish tapestry (ca. 1510) - Paris, Musée de Cluny. Above right: FABRICS FOR LITURGICAL HANGINGS reproduced by Allegretto Nuzi (mid-14th cent.). Detail of the panel depicting St. Augustine between St. Anthony and St. Stephen - Fabriano, Pinacoteca. Below: HORIZONTAL LOOM reproduced by Pinturicchio in the Meeting of Ulysses with Penelope (early 16th cent.) - London, National Gallery. Plate XCVII Stoffe Above left: FACADE AND SIDE OF THE CATHEDRAL (12th-15th cent.). Above right: KAMMERZELL HOUSE (15th cent.). Below left: INTERIOR OF THE CATHEDRAL. Pillar of the Angels (1st half 13th cent.). Below right: THE MAN WARMING HIMSELF AT THE FIREPLACE. Allegory of the month of February, carved on the portal of the western facade of the Cathedral (1280). Plate XCVIII Strasbourg, Diocese of Above left: EXTERIOR OF THE CHURCH of St. Leodegar at Guebwiller (12th cent.). Above right: CHURCH OF ST. MARTIN, built in the 13th cent. - Colmar. Below left: FOUNTAIN OF EMPEROR CONSTANTINE (1521) and portal of the Church (13th cent.) - Kaysersberg. Below right: ABBEY CHURCH built in 1175 on a Cistercian plan in the Lombard-Rhenish Romanesque style - Murbach. Plate XCIX Strasbourg, Diocese of Above left: SORCERERS ENGAGED IN THEIR PRACTICES (1934). Mariannini Mission (Africa). Above right: A YOUNG WARRIOR consults a witch to obtain remedies for protection against the evil eye and spells (1935). Mariannini Mission (Africa). Below left: A WITCH-DOCTOR induces a sick man, submissive and trusting, to a series of complicated acts intended to cure him of his illness (1939). Eshowe Mission (Africa). Below right: A LITTLE INDIAN GIRL OF THE KUNA TRIBE, ill, with beside her a hundred idols which, according to the advice of the witch-doctor, will cure her (1936) - Uraba (Colombia). Plate C Witchcraft and Medicine Above left: ANCIENT MUSICAL INSTRUMENTS. From left to right: naulo, psaltery, timpanum, cithara, bell, trombones, tuba, pennula, chorus. Miniature from the Psalter-Hymnal with glosses of Abbot Odbert of St-Bertin (999) - Boulogne-sur-Mer, Bibl. municipale 20, f. 2°. Above right: MUSICAL CHAPEL: singers and players with crumhorns and trombones. Copper engraving by Th. Galle (1537-1612) from the Encomium Musices, Antwerp, printed by J. Stradanus (ca. 1580) - Paris, Bibliothèque nationale. Below left: MUSIC-MAKING ANGELS. Above from left to right: psaltery, trumpet marine, lute, trumpet, bass oboe; below from left to right: straight trumpet, curved trumpet, portable organ, harp, fiddle. Painting by Hans Memling (ca. 1490) - Antwerp, Kl. Museum. Below right: ALLEGORY OF MUSIC. Above: 5 trumpets; below from left to right: viol-lute, harp, recorders, viola da braccio. Fresco by Pinturicchio in the Borgia Apartment (1492-95) - Vatican Apostolic Palace. Plate CI Musical Instruments 8. Plate CII Masonry Structures Above left: STUCCO DECORATION by A. Vittoria, and grotesques by G. B. Franco in the vault of the Scala d'Oro (1538-58) - Venice, Doge's Palace. Above right: STUCCO FIGURES. Detail of a vault decorated by Giovanni da Udine (16th cent.) - Rome, Villa Madama. Below left: STUCCOES AND FRESCOES by G. Baglione in the vault in front of the Pauline Chapel (early 17th cent.) - Rome, S. Maria Maggiore. Below right: NEOCLASSICAL STUCCO DECORATION. Detail of a ceiling of the Royal Palace (19th cent.) - Milan. Plate CIII Stucco Left: APSE OF THE LOWER CHURCH of the S. Spéco (12th-13th cent.). Above right: GENERAL VIEW OF THE S. SPECO (12th-13th cent.). Below right: THE HOLY STAIR OF THE S. SPECO seen from the grottoes of the Shepherds. The walls were frescoed in the 14th cent. Plate CIV Subiaco Left: PLAIN OF DAR NUBA. In the background the mountain of Cordofan. Above right: RUINS OF A CHURCH AT FIGIR 'ANTAWU (Nubia). Below right: DETAIL OF A NATIVE VILLAGE, with the hut of a deceased chief, in front of which are displayed all the weapons and tools of war that belonged to him. Plate CV Sudan Above: SEMINARY OF PHILOSOPHY - Issy. Below: SEMINARY OF THEOLOGY. The garden designed by A. Le Nôtre (17th cent.) was the property of Margaret of Valois - Issy. Plate CVI Sulpicians Above left: COPPER TRIPTYCH OFFERED BY BONIFACIO ROTARIO D'ASTI (1 September 1358) for the sanctuary of Rocciamelone then being built. Centre: Madonna and Child; left: St. George, right: St. Joseph presenting the donor - Susa, Cathedral. Above right: MARY ANNUNCIATE, formerly believed to be Adelaide, countess of Turin, wife of Oddone count of Savoy. Wooden statue of the 16th cent. Below: PARTIAL PANORAMA with the Lombard bell tower (11th cent.) of the church of S. Giusto, now cathedral; the spires are from the end of the 15th cent. On the right the bell tower of the church of S. Maria Maggiore (11th cent.), now converted into a dwelling (on the right). Plate CVII Susa STORIES OF SUSANNA. Above: The elders try to induce her to sin (in front of the bath building, Daniel, the artist's anticipation). The scene of the accusation has been reproduced in vol. VI, pl. XVII. Below: Susanna in the attitude of an orant gives thanks for her deliverance. The male orant is perhaps her husband. Fresco of the so-called Greek Chapel (2nd cent.) - Rome, cemetery of Priscilla. Plate CVIII Susanna Above left: PORTA PIAGGIA - Sutri. Above right: RUINS OF THE MEDIEVAL CASTLE, called of Charlemagne - Sutri. Below left: INTERIOR OF THE CHURCH OF S. MARIA DEL PARTO, adapted into an Etruscan tomb - Sutri. Below right: CRYPT OF THE ROMANESQUE CATHEDRAL by Lombard masters (11th-12th cent.) - Sutri. Plate CIX Sutri, Diocese of Above left: THE VILLAGE OF BOHULSAN on the Swedish west coast, one of the main fishing ports and an important seaside resort. Above right: THE ANCIENT CITY OF VISBY on the island of Gotland. Below left: THE GRIPSHOLM, begun in 1937 in Södermanland. Below right: NIGHT VIEW OF THE CITY HALL on the shores of Lake Mälaren, architect Ragnar Östberg (1911-23) - Stockholm. Plate CX Sweden Above left: INTERIOR OF THE MONASTERY CHURCH of Vadstena built between 1388 and 1430, now a Lutheran parish church. Plate CXI Sweden Above left: DOOR OF THE CHURCH OF ROGSLÓSA (11th cent.). Above right: SILVER URN of St. Eric, king and martyr, founder and patron of Stockholm (14th cent.), kept in the cathedral of Uppsala. Below: CHAPTER HOUSE OF THE MONASTERY OF VADSTENA (late 14th cent. - early 15th cent.). Plate CXII Sweden Left: TOMB OF GUSTAV VASA AND HIS WIFE (1560) - Uppsala, Cathedral. Plate CXIII Sweden Above left: THE LITTLE CHURCH OF S. GIACOMO AT BRIGELS. Above right: VIEW OF ST. MORITZ-BAD. Plate CXIV Switzerland Above: CASTLE OF NYON. Below left: ABBEY OF S. GALLO. Below right: PARISH CHURCH OF S. VITTORE MAURO, founded in 703, restored in 1497-1503. The bell tower is of the 11th cent. - Poschiavo. Plate CXV Switzerland Above left: THE MODERN CHURCH OF S. PAOLO - Zurich. Above right: THE MODERN CHURCH OF S. ANTONIO - Basel. Below left: CITY HALL, built in 1406, rebuilt in 1939-42 - Bern. Below right: CHARACTERISTIC STREET OF A SWISS TOWN - Solothurn. Plate CXVI Switzerland Above: THE FLIGHT INTO EGYPT. Carolingian fresco (late 8th cent.) - Cloister of S. Giovanni di Mùstair. Below: INTERIOR OF THE ABBEY CHURCH of S. Gallo (18th cent.). Plate CXVII Switzerland Above: THE GRAND HARBOUR BRIDGE. Plate CXVIII Sydney, Archdiocese of Above left: TABERNACLE by B. Cellini (16th cent.) - Milan, church of S. Antonio Abate. Above right: TABERNACLE in gilded bronze by G. L. Bernini (17th cent.) - Basilica of S. Pietro in Vaticano, chapel of the Sacrament. Below left: TABERNACLE in gilded bronze, executed by G. Scalzo (2nd half of the 16th cent.) after a design by Riccio, with Angels by O. Torrigiani - Rome, basilica of S. Maria Maggiore, chapel of the Sacrament. Below right: TABERNACLE in bronze, executed by Lorenzo di Pietro, called il Vecchietta (1467-72), the two candle-bearing Angels are by Giovanni di Stefano (1489), for the church of the Hospital of S. Maria della Scala - Siena, high altar of the Cathedral. Plate CXIX Tabernacle (Tabernaculum) Marchesi Ricordino per N° 5 Turno 2° Plate CXX Tachygraphy Left: DRUM with paired columns of the church of S. Andrea della Valle. Work by C. Maderno (1608) - Rome. Right: OCTAGONAL DRUM with volute brackets of the church of S. Maria della Salute begun in 1631. Work by B. Longhena - Venice. Plate CXXI Drum Above left: LAKE TANGANYIKA. Above right: HOUSE OF THE PALLOTTINE FATHERS - Apostolic Prefecture of Mbulu. Below left: GROUP OF MISSIONARIES ENGAGED IN BUILDING A MILL - Tosa Maganga. Below right: CONSTRUCTION OF THE NEW CHURCH (1942) - Tosa Maganga, Mission of the Consolata. Plate CXXII Tanganica Above left: CARPET with central medallion with hunting scenes among tangles of stems with leaves and flowers from north-western Persia (1522) - Milan, Museo Poldi-Pezzoli. Above right: PRAYER CARPET (17th cent.) - Smyrna. Below left: CARPET in silk and silver, of the so-called Shah Abbas I type (late 16th cent.) - Venice, basilica of S. Marco. Below right: CARPET with plant decoration, of the so-called Herat type (17th cent.). Detail - Florence, Museo civico. Plate CXXIII Carpet Above left: ANGEVIN CASTLE built by Ferdinand of Aragon in 1480 on previous fortifications. Above right: FACADE OF THE CHURCH OF S. PIETRO IMPERIALI (or S. Domenico Maggiore) of the 14th cent., with later alterations. Below left: INTERIOR OF THE CATHEDRAL (11th cent. with modifications of the 16th-17th cent.). Below right: TRANSEPT ARM OF THE CRYPT after restoration (8th cent.) - Taranto, Cathedral. Plate CXXIV Taranto, Archdiocese of Above: EXTERIOR OF THE CATHEDRAL (13th cent., with later restorations) - Tarbes. Plate CXXV Tarbes and Lourdes, Diocese of Above: BANQUET SCENE. Fresco from the 5th cent. BC in the Tomb of the Leopards - Tarquinia, area of the Etruscan tombs. Below: INTERIOR OF THE CHURCH OF S. MARIA DI CASTELLO, begun in 1121 - Tarquinia. Plate CXXVI Tarquinia (formerly Corneto Tarquinia) and Civitavecchia, Diocese of Above: EXTERIOR OF THE CATHEDRAL - Tarragona. Below left: CHAPEL OF ST. PAUL (13th cent.) - Tarragona, Seminary. Below right: INTERIOR OF THE CATHEDRAL (12th-13th cent.) - Tarragona. Plate CXXVII Tarragona, Archdiocese of STORIES OF DAVID, in the foreground the killing of the giant Goliath. Inlay in the choir (1st half of the 16th cent.) of the church of S. Maria Maggiore, work by the Capodiferro after a cartoon by Lorenzo Lotto - Bergamo. Plate CXXVIII Tarsia Left: INDIAN TATTOO: an Indian 'chuncho' chief and his wife visit the Salesian house in a mission of the apostolic vicariate of Ucayali - Peru. Right: RELIEF TATTOO. Negro of Bobo Dioulasso (Africa). Plate CXXIX Tattooing Above: CHARACTERISTIC OCTAGONAL PORTAL OF A PAGODA - Tatung. Plate CXXX Tatung, Diocese of Left: INTERIOR OF THE CHURCH OF S. SIRO, rebuilt by A. Ceresola in 1575, after the fire of 1478 - Genoa. Above right: INTERIOR OF THE CHURCH OF S. GIUSEPPE, built by the architect G. Beato (1612) Theatine - Palermo. Below right: INTERIOR OF THE CHURCH OF S. PAOLO MAGGIORE, built in 1585-90 probably on a design by F. Grimaldi - Naples. Plate CXXXI Theatines Above: ROMAN THEATRE of the Augustan age: in the foreground the foundations of the stage, in the background the orchestra and the cavea, and, at the far end, part of the perimeter wall - Aosta. Below: THEATRE OF DIONYSUS (early 5th cent. BC) - Athens. Plate CXXXII Theatre STAGE SETS for the performance of the Mystery of the Passion at Valenciennes (1547). Plate CXXXIII Theatre Above: STAGE SKETCH, drawn by Goethe for a scene from Macbeth. Below: SECOND DAY OF PERFORMANCE of the Plaisirs de l'Isle Enchantée, festivities and entertainments of the King at Versailles, divided into 3 days, and begun on 7 May 1664. Engraving by Israël Silvestre. Plate CXXXIV Theatre Above: A SCENE from La vida es sueño by Calderón de la Barca, performed by the Students of the National Academy of Dramatic Art, in the hall of the Borromini Oratory - Rome. Below: A SCENE from The Dialogues of the Carmelites by G. Bernanos, performed by the Company of the Piccolo Teatro di Roma - Rome, Teatro delle Arti (1952-53). Plate CXXXV Theatre Above: INTERIOR OF THE BASILICA (5th cent.). Below left: INTERIOR OF THE BAPTISTERY (6th cent.). Plate CXXXVI Tebessa Above left: CHRIST ANSWERS SATAN'S TEMPTATIONS. Christ has a blue mantle, the web-footed devil has a yellow garment. Miniature of the Lombard school (ca. 1450). Leaf of an antiphonary. Above right: CHRIST DRIVES OUT SATAN. Detail of the portable altar of King Arnulf (ca. 870). - Munich. Below: CHRIST'S VICTORY OVER SATAN. Copper by Etienne Houutondji. French West Africa - Dahomey-Abomey - Rome, Exhibition of Missionary Art 1950. Plate CXXXVII Temptations of Jesus Christ Above: TOMB OF THEODORIC, built ca. 520. The dome is formed of a single piece of Istrian hippuritic limestone; on the twelve projections or handles are carved the names of 10 Apostles and of the Evangelists Mark and Luke - Ravenna. Below: WALL OF CASTS OR LIME, CALLED PALACE OF THEODORIC. This building, apparently erected in the 7th-8th cent., was part of the building complex in the Palace of Theodoric - Ravenna. Plate CXXXVIII Theodoric (Dietrich) of Apolda THE 'DIVINARUM RERUM NOTITIA'. Personification of theology. Fresco by Raphael in the vault of the Stanza della Segnatura (1508) - Vatican Apostolic Palace. Plate CXXXIX Theology Left: THE REDEEMER BLESSING, between Sts. Matthew, Gregory, Luke and Augustine. Above, St. John the Evangelist, Presentation in the Temple and St. Ambrose. Below, St. Mark, Noli me tangere, and St. Jerome. Central part of the silver pallium, work by Nicola da Guardiagre (1433-30) - Teramo, Cathedral. Right: MARY INTENT ON PRAYER AND WORK. Detail of the frescoes by Andrea Delitto (2nd half of the 15th cent.) in the apse of the Cathedral - Atri. Plate CXL Teramo and Atri, Diocese of Left: ST. THERESA OF THE CHILD JESUS, by Alberto Gerardi, formerly in the church of S. Teresa (now destroyed) - Anzio. Plate CXLI Teresa Above: REMAINS OF THE TEMPLE OF JUPITER ANXURUS. Below: THE PORT. Plate CXLII Terracina, Priverno and Sezze, Diocese of Above: PERSONIFICATION OF 'TELLUS' between Air and Water. Detail of the reliefs of the Ara Pacis (9 BC) - Rome. Below: PERSONIFICATION OF 'EARTH'. Miniature of the Exultet I (ca. 1000) - Bari, Cathedral. Plate CXLIII Mother Earth Left: DETAIL OF THE BELL TOWER (13th cent.) - Teruel, church of S. Martino. Right: EXTERIOR OF THE CATHEDRAL - Teruel. Plate CXLIV Teruel, Diocese of (Int. Pizzi) Plate, p. 141 Sebastian THE THREE MARYS. Detail of the altarpiece of St. John Chrysostom and other saints Venice, church of S. Giovanni Crisostomo. Plate, p. 145 Sebastiano del Piombo Above: AERIAL VIEW OF THE MAJOR SEMINARY of the archdiocese of Milan - Venegono Inferiore. Plate, p. 208 Táv. Xviii 30. Choir of the Franciscans. Plate A Holy Sepulchre, The 1. Province boundaries - 2. Boundaries of ecclesiastical district - 3. Roads - 4. Railways - 5. Cemeteries - 6. Oratories - 7. Archimandrite of S. Salvatore. Plate, p. 319 Sicily 1. State borders - 2. Borders of ecclesiastical district - 3. Railways. Plate, p. 615 Spain (prop. Esc. Catt.) Plate, p. 621 Spain 1. State borders - 2. Borders of ecclesiastical district - 3. Railways. Plate, p. 631 Spain 1. State borders - 2. Federal state borders - 3. Borders of ecclesiastical district. Plate, p. 729 United States (U.S.A.) (prop. Enc. Catt.) Plate, p. 735 United States (U.S.A.) (prop. Enc. Catt.) Plate, p. 741 United States (U.S.A.) (prop. Enc. Catt.) Plate, p. 749 United States (U.S.A.) FABRIC OF THE 12th CENT., woven in Byzantium on 9th-cent. motifs Plate, p. 819 Stoffa Plate, p. 852 Scala Stratigrafica Plate, p. 853 Plate, p. 854 Plate, p. 855 (Io. Picci) Plate, p. 867 Strozzi, Bernardo (prep. Enc. Cost.) Plate, p. 985 Switzerland

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