Plates · Volume IV (1950)

132 plates · Entries · All volumes

The volume's full-page plates, in their printed numbering. Each plate also appears in the entry it illustrates.

Above left: The ophthalmic and dental pavilion of the Regina Elena hospital - Asmara. Above right: Uebi Scebeli Dam and bottom outlets - Genale (Somalia). Below left: Villaggio Luigi di Savoia. Types of farmhouse - Cyrenaica. Below right: Villaggio Battisti, church and schools. Plate I Colonization INTERNAL FACADE OF THE PALAZZO COLONNA Plate II Colonna BAPTISTERY OF S. GIOVANNI Plate III Comacini, Masters Above: LEAGUE BETWEEN THE FUORUSCITI OF THE WHITE PARTY AND THE GHIBELLINES TO RETURN TO FLORENCE - Biblioteca Vaticana - Cod. Vat. Chig. L. VII, 296, f. 153 r (14th cent.). Below: THE FLORENTINE PEOPLE WITHSTANDS THE ONSLAUGHT OF THE GHIBELLINE CAVALRY, led by Guido Novello, and forces the Ghibelline leaders to leave Florence - Biblioteca Vaticana - Cod. Vat. Chig. L. VIII, 296 f. 91 r (14th cent.). Plate IV Commune Above: COMMUNION OF THE APOSTLES: Distribution of the Bread. Miniature from the purple codex of Rossano (6th cent.) - Rossano, Treasury of the Cathedral. Plate V Eucharistic Communion Above: COMMUNION OF THE APOSTLES. Mosaic of the first half of the 13th cent. - Venice, Basilica di S. Marco. Below: COMMUNION OF THE APOSTLES. Fresco by Beato Angelico - Florence, convent of S. Marco. Plate VI Eucharistic Communion Above: CONSISTORY IN S. PIETRO (1946). Imposition of the cardinal's hat. Below: CONSISTORY IN S. PIETRO (1946). Singing of the Te Deum at the end of the Consistory. Plate VII Concistoro Above: Noisy rejoicing of the Romans for the happy conclusion of a conclave. Print of the first half of the 17th cent. Below: Sistine Chapel decorated for the conclave. Plate VIII Conclave Above left: CONFESSIONAL in the church of S. Filippo (17th cent.) - Chieri. Above right: CONFESSIONAL in the church of S. Maria Maggiore. Work by Andrea Fantorin (1659-1734) - Bergamo. Below left: CONFESSIONAL on a Berninian design (17th cent.) - Basilica di S. Pietro. Below right: CONFESSIONAL of the church of the Immacolata (early 20th cent.) - Genoa. Plate IX Confessional S. GIOVANNI NEPOMUCENO CONFESSES THE QUEEN OF BOHEMIA, by G. M. Crespi called lo Spagnolo (ca. 1740) - Turin, picture gallery. Plate X Confession Left: BEGINNING OF THE STATUTES OF THE ARCICONFRATERNITA of S. Giovanni dei Fiorentini, written on 1 Nov. 1456 on a parchment codex. Plate XI Confraternity Above: CONFUCIUS AND HIS DISCIPLES. Engraving from the Guimet museum. Below: CONFUCIUS VISITS THE T'AI MIAO. Work by Lin-Sung-Mien - Princeton University, coll. Du Bois Schanck Morris. Plate XII Confucius Above: Indigenous festival at the Usumbura stadium (27 July 1947) - Urundi. Below: WA-TUTSI NOTABLES, gathered at Muramvya on 27 July 1947 - Urundi. Plate XIII Belgian Congo S. ALESSANDRO SAULI, superior general of the Congregation, bishop of Aleria and Pavia - Rome, church of S. Carlo ai Catinari. Plate XIV Congregation of Saint Paul INDIGENOUS NUN Plate XV Religious Missionary Congregations, Male and Female Above: FACADE OF THE PALAZZO DI S. CALLISTO by Orazio Torriani (17th cent.). Below: PALAZZO DELLE S. CONGREGAZIONI A S. CALLISTO, inaugurated by Pius XI on 23 May 1936. Design by the architect Momo. Statue of Pius XI (right side). Work by E. Rubino 1943. Plate XVI Sacred Roman Congregations EUCHARISTIC CONGRESS OF CHICAGO Plate XVII Eucharistic Congresses Plate XVIII Copernico, Niccolò Left: PART OF THE OFFICE OF THE 4 INCORPOREAL ANIMALS (9th-10th cent.) - Biblioteca Vaticana, Borg. copto 109, cassetta 24, f. 103. Plate XIX Copts Left: ANNUNCIATION. Illuminated initial from a Choir Book, Sienese school of the second half of the 15th cent. - Pienza, Museo. Right: ILLUMINATED PAGE FROM A CHOIR BOOK (15th cent.). Antiphon for the 1st Sunday of Advent (Is. 30, 27) - Badia di Monteoliveto. Plate XX Chorale ST. ROSALIA VENERATING THE VIRGIN, central part of a coral and embroidery antependium Plate XXI Coral CORAL CRUCIFIX Plate XXII Coral Left: PEDIMENT FRAME OF FLORENTINE SCHOOL from the mid-15th cent. - Florence, Galleria degli Uffizi. Right: PAINTED FRAME, of Sienese school from the late 15th cent. - Siena, Pinacoteca. Plate XXIII Cornice Above: CENTRAL PART OF THE CHOIR in carved and inlaid wood (1414-31) from Orvieto Cathedral. Below: CHOIR IN CARVED WOOD, now destroyed, from the abbey church of Montecassino. Work by D. A. Colucci and pupils (late 17th cent.) after a design by A. Scappi. Plate XXIV Chorus Above: CHOIR OF THE CHURCH OF S. MARTINO DELLE SCALE, work by Niccolò Tortelli da Brescia, and carved organ by Raff. La Valle (18th cent.) - Monreale. Below: CHOIR OF THE CHURCH OF S. PIETRO, work by Stefano de' Zambelli (16th cent.) - Perugia. Plate XXV Chorus THE TWENTY-FOUR ELDERS WITH THEIR CROWNS (Rev. 4:4). Plate XXVI Corona Above: CROWN OF PRINCESS MARGARET OF YORK. English work of the 15th cent. - Aachen, Cathedral treasury. Below: CROWN OF ST. HENRY EMPEROR. Surviving part of the reliquary formerly at Bamberg. German goldsmith work late 15th cent. - Munich, Residenz Museum. Plate XXVII Corona Left: STATUTES OF THE SOCIETY OF DRAPPIERI AND BRACCIAIOLI. Miniature of the 15th cent. - Bologna, Museo Civico. Right: STATUTES OF THE SOCIETY OF DRAPPIERI AND BRACCIAIOLI. Miniature of the 15th cent. - Bologna, Museo Civico. Plate XXVIII Corporation PROCESSION OF CORPUS DOMINI Miniature of the late 15th cent. in the Breviary of René II Plate XXIX Feast of Corpus Christi Plate XXX Corpus Juris Canonici A PAGE FROM THE "PANDECTS", (late 6th cent. - early 7th). Plate XXXI Corpus Juris Civilis THE MADONNA AND ST. JEROME Plate XXXII Correggio, Antonio Allegri, Known as Il Above: CATHEDRAL OF MARIA ASSUNTA (late 12th cent. - early 13th cent.) - Nebbio, S. Fiorenzo. Below: REMAINS OF THE ANCIENT CATHEDRAL OF MARIA ASSUNTA called la Canonica, consecrated in 1119 - Mariana. Plate XXXIII Corsica COURTYARD OF THE PALAZZO CORSINI after a design by F. Fuga Plate XXXIV Corsini, Edoardo ANNUNCIATION BY BEATO ANGELICO Plate XXXV Diocese of Cortona CHURCH OF S. MARIA DELLE GRAZIE AL CALCINAIO Plate XXXVI Diocese of Cortona · CROSS OF SICULO-NORMAN ART with Byzantine enamels Plate XXXVII Cosenza, Archdiocese of ST. COSMA Plate XXXVIII Saints Cosmas and Damian, Martyrs Left: TOMB OF CARDINAL CONSALVO RODRIGUEZ, by Giovanni di Cosma (1299) - Rome, Basilica of S. Maria Maggiore. Right: FACADE OF THE CHURCH OF S. MARIA IN CASTELLO (12th cent.) - Tarquinia. Plate XXXIX Cosmati Above: BAPTISM OF THE EMPEROR CONSTANTINE. Below: PROCESSION OF ST. SILVESTER, the emperor Constantine leads the white horse of the Pontiff. Two episodes from the legend of St. Silvester and Constantine. Frescoes of ca. 1272 in the chapel of St. Silvester - Rome, Church of SS. Quattro Coronati. Plate XL Constantine (Imperator Caesar Flavius Valerius Constantinus Augustus), Roman Emperor, Known as the Great Left: PLAN OF CONSTANTINOPLE in cod. Vat. Urb. lat. 277, f. 131 v (1472) - Biblioteca Vaticana. Right: PLAN OF CONSTANTINOPLE AND OF GALATA by Mustafa b. Mehmed (1629). Constantinople, Biblioteca Nûr-i-Otmanijich, ms. no. 2997, fol. 293 v. Plate XLI Constantinople Above: INTERIOR OF THE DOME OF THE CHURCH OF HAGIA SOPHIA. Plate XLII Constantinople INTERIOR OF HAGIA SOPHIA Plate XLIII Constantinople Above: MARY MOST HOLY BETWEEN JUSTINIAN AND CONSTANTINE. Mosaic of the lunette of the southern vestibule - Constantinople, Church of Hagia Sophia. Below: THE CASTLE OF RUMELIHISARI ON THE BOSPHORUS built in 1452 by Mehmed II, seen from the Asian shore. Plate XLIV Constantinople MOSAIC OF THE ANNULAR VAULT WITH SCENES OF THE VINTAGE AND A BUST Plate XLV Constance ST. JOHN THE EVANGELIST. Plate XLVI Cozzarelli, Giacomo DORMITION AND ASSUMPTION OF THE VIRGIN. Triptych in wood carved and painted by Veit Stoss (1477-89) - Altar of the church of Maria S.ma. Plate XLVII Cracow, Archdiocese of Left: MARY MOST HOLY AT THE FOOT OF THE CROSS. Detail of the Crucifixion - Vienna, Kunsthistorisches Museum. Right: PORTRAIT OF JOHN FREDERICK OF SAXONY THE MAGNANIMOUS - Berlin, Museum. Plate XLVIII Cranach, Lukas Il Vecchio Above: CREATION OF HEAVEN, EARTH AND THE ANGELS. Mosaic in the nave of the Cathedral (late 12th cent.) - Monreale. Below: CREATION OF THE STARS AND ANIMALS. Mosaic in the nave of the Cathedral (late 12th cent.) - Monreale. Plate XLIX Creation FACADE OF THE CATHEDRAL (13th-14th cent.) AND BELL TOWER (17th cent.). Plate L Crema, Diocese of Left: FACADE OF THE CATHEDRAL (14th cent.) AND THE TOWER (13th cent.). Plate LI Cremona, Diocese of Left: BISHOP ADMINISTERING CONFIRMATION. Pontifical of Giov. Barton, bishop of Limoges (1457-84) - Paris, Bibliothèque Nationale, ms. lat. 1225, f. 1. Right: BISHOP ADMINISTERING CONFIRMATION. Roman Pontifical (late 15th cent.) - Lyon, Bibliothèque Municipale, ms. 5144, f. 14. Plate LII Confirmation Above: CRYPT OF THE CATHEDRAL OF VICH (10th-11th cent.) - Spain. Below: CRYPT OF THE CHURCH OF ST. PETER AT TUSCANIA (12th cent.). Plate LIII Crypt Above: CRYPT OF THE BASILICA OF S. ZENO MAGGIORE (12th-13th cent.) - Verona. Plate LIV Crypt Left: FACADE OF THE CHURCH OF S. CRISOGONO, after a design by G. B. Soria (1626). Bell tower of the 12th cent. - Rome. Right: INTERIOR OF THE CHURCH OF S. CRISOGONO. Ciborium of the high altar by G. B. Soria - Rome. Plate LV Crisogonus, Saint Above left: STATUETTE OF THE VIRGIN SET IN A ROCK CRYSTAL, engraved and mounted with Byzantine enamels (12th-13th cent.) - Venice, Basilica of St. Mark, Treasury. Above right: ROCK CRYSTAL DISH with figures of the Flood and Noah's ark (16th cent.) - Florence, Museo degli Argenti. Below: ROCK CRYSTAL CASKET with scenes from the Life of Christ. Work by Valerio Belli (1532) - Florence, Museo degli Argenti. Plate LVI Crystal Left: CHRISTIAN I WITH HIS WIFE DOROTHEA. Miniature by Werner Stecker - Copenhagen, Frederiksborg Museum. Plate LVII Cristiano I E Iii TERRACOTTA STATUE OF ST. CHRISTINA, work by Giovanni della Robbia (16th cent.) - Bolsena, Collegiata. Plate LVIII Christina, Saint ST. CHRISTOPHER Plate LIX Christopher, Saint, Martyr DEPOSITION Plate LX Crivelli, Carlo And Vittore Left: CROSS-SHAPED CUSTODIA. Repoussé silver from the time of Pope Paschal I (817-24) - Biblioteca Vaticana, Museo Sacro. Plate LXI Cross Left: REPOUSSÉ CROSS, precious stones and chasing (14th cent.) - Biblioteca Vaticana, Museo Sacro: Sancta Sanctorum. Right: CROSS IN REPOUSSÉ AND NIELLOED SILVER. Work by Paolo Vanni da Perugia (15th cent.) - Spello, church of S. Maria Maggiore. Plate LXII Cross PAINTED CROSS Plate LXIII Cross CRUCIFIXION Plate LXIV Cross BRONZE CRUCIFIX, Plate LXV Cross TOMB OF BOHEMOND (d. 1111) - Canosa, Cathedral. Plate LXVI Crusades DEPOSITION, mosaic work by Gino Severini: XIII Station of the Via Crucis. Characteristic example of geometrized figuration. - Cortona. Plate LXVII Cubism CHRIST SHOWING HIS WOUNDED SIDE AS THE SOURCE OF THE EUCHARIST Plate LXVIII Sacred Heart of Jesus Left: DOME OF THE BAPTISTERY OF THE ARIANS, with mosaic decoration: Baptism of Christ and figures of the twelve Apostles (early 6th cent.) - Ravenna, Baptistery of the Arians. Right: INTERIOR OF THE DOME OF S. MARIA DEL FIORE with frescoes by G. Vasari (1572-74) and F. Zuccari (1574-79) depicting the Last Judgment - Florence. Plate LXIX Dome Left: TIBURIO AND DOME OF THE CATHEDRAL OF CASERTA VECCHIA (12th cent.). Right: DOME OF THE CHAPEL OF THE HOLY SHROUD by G. Guarini (1668-94) - Turin, Cathedral. Plate LXX Dome Left: EXTERIOR OF THE DOME OF ST. PETER'S. Work by Michelangelo and execution by G. Della Porta and D. Fontana (1550-1600). Plate LXXI Dome Above: DOMES OF THE BASILICA DEL SANTO (late 13th cent.) - Padua. Below: DOMES OF S. CATALDO (mid-12th cent.) - Palermo. Plate LXXII Dome Above: VIEW OF NAZARETH. Top left: the basilica of the Annunciation, in the centre the Franciscan convent; on the right: the basilica of the Nutrition, rebuilt on the plan of the Byzantine basilica (6th cent.) in the places where St. Joseph's workshop was, according to tradition. Below: BASILICA OF THE AGONY, in the garden of Gethsemane erected on the floor of the "Elegans" basilica, of the 4th cent. Architect A. Barluzzi (1924) - Jerusalem. Plate LXXIII Custody of the Holy Land Ust. Alimero Plate LXXIV Dafni SAMSON AND DELILAH Plate LXXV Delilah (Heb. Dillah = "Exile, Delicate", According to the Most Probable Etymology; Septuagint: Δαλ88) DALMATIC, embroidered in silk, work of the Benedictine abbess of Göss (Styria), Cunegunda II (1239-69) - Vienna, Museum of Industrial History. Plate LXXVI Dalmatic Left: DALMATIC in cut-velvet with embroidery (15th cent.) - Orvieto, Museo dell'Opera del Duomo. Right: DALMATIC IN DAMASK DONATED BY THE FAMILY OF THE PRINCE OF SCALEA (18th cent.) - Morano Calabro, Chiesa della Maddalena. Plate LXXVII Dalmatic Above left: PANORAMA OF THE ROAD TO ŠIBENIK - Trogir. Above right: PANORAMA OF MALI LOŠINJ. Below left: THE LITTLE CHURCH OF BETHLEHEM - Split, Monte Mariano. Below right: CAMERLENGO CASTLE (15th cent.) - Trogir. Plate LXXVIII Dalmatia for the sign of the Legation of Denmark in Rome Plate LXXIX Denmark CROSS-SECTION OF HELL Plate LXXX Dante, Alighieri Left: PORTRAIT OF DANTE, fresco by L. Signorelli (1499-1500). Chapel of S. Brizio - Orvieto, Duomo. Right: TONDO IN CHIAROSCURO WITH SCENES FROM CANTO II OF PURGATORY, by Luca Signorelli (1499-1500). Chapel of S. Brizio - Orvieto, Duomo. Plate LXXXI Dante, Alighieri Left: DAVID AND CHOIRS OF EDITHUM, ASAPH, KORAH, ETHAN AND MOSES. Miniature from the Topographia of Cosmas Indicopleustes (9th cent.) - Biblioteca Vaticana, cod. Vat. grec. 699, f. 63 v. Right: DAVID BETWEEN "SOPHIA" AND "PROPHETIA". Miniature from the Psalter contained in cod. Palat. grec. 381. B, f. 2 r (10th cent.) - Biblioteca Vaticana. Plate LXXXII David (Heb. Dāwīdh "Beloved, Dear") Left: MOSES WITH THE TABLES OF THE LAW. Painting by J. de Ribera (1588-1652) - Naples, Certosa di S. Martino. Plate LXXXIII Decalogue Left: DETAIL OF THE PICTORIAL DECORATION with flowers, birds and vintage of the skylight of the crypt called of S. Gennaro (3rd cent.) - Rome, Cemetery of Pretestato. Right: DETAIL OF THE DECORATION IN "OPUS SECTILE MARMOREUM" along the walls of the central nave of the basilica of S. Sabina (5th cent.) - Rome. Plate LXXXIV Decoration nirxemianmneocacqianmianmneopllmilycimnirxemianmne Plate LXXXV Decretals Above: MADONNA. Glazed terracotta lunette by Luca Della Robbia - Biblioteca Vaticana, Museo Profano. Plate LXXXVI Della Robbia, Family FRANCESCO MARIA I DELLA ROVERE receives the baton of command from Pope Julius II. Miniature attributed to Giulio Clovio (1554-57) - Biblioteca Vaticana, cod. Urb. lat. 1764, f. 3 v. Plate LXXXVII Della Rovere, Family TOMB OF MASTINO II (14th cent.) - Verona, Arche Scaligere. Plate LXXXVIII Della Scala, Family Left: COURTYARD OF THE PALAZZO DELLA VALLE, probable design by Raphael (1510-15), after the restoration by eng. C. Forti - Rome. Right: INTERIOR OF THE PALAZZO DELLA VALLE. Carved and painted wood ceiling with grotesques (early 16th cent.), restoration by eng. C. Forti - Rome. Plate LXXXIX Della Valle, Family THE FALSE DEVOUT DRESSED IN MOURNING, WHOSE PURSE THE DEVIL STEALS. Plate XC Demon Above: DEPOSITION. Detail of the ciborium of old St. Peter's, work by Donatello (1432) - Basilica of S. Pietro, sacristy. Below: DEPOSITION FROM THE CROSS, work by Van der Weyden (ca. 1400-64) - Madrid, Escorial. Plate XCI Deposition BUST OF AN UNKNOWN YOUNG GIRL. Plate XCII Desiderio da Settignano THE DIACONAL CHURCH OF S. TEODORO Plate XCIII Diaconia ST. STEPHEN MARTYRED, VESTED AS DEACON. Plate XCIV Deacon and Archdeacon CHURCH OF NOTRE-DAME (13th cent.) - Dijon. Plate XCV Digione, Diocese Of NOAH'S ARK. Above: BUILDING AND ENTERING THE ARK. Below: RETURN OF THE DOVE AND EXIT FROM THE ARK (Gen. 6-8). Miniatures from the Octateuch contained in cod. Vat. gr. 746, ff. 53 v, 55 v. (12th cent.) - Biblioteca Vaticana. Plate XCVI Deluge Left: GOD THE FATHER HOLDING THE SON IN HIS LAP. Detail of the tympanum of the church of St. Nicholas of Tudela (12th cent.) - Spain. Right: THE ETERNAL. Canvas painted in France in 1741 by order of Mother d'Youville - Montréal (Canada). Mother House of the Grey Nuns. Plate XCVII God PALACE OF DIOCLETIAN. Plate XCVIII Diocletian (Imp. Caesar M. Aurelius Valerius Diocletianus Augustus), Roman Emperor ST. DIONYSIUS THE AREOPAGITE IN EPISCOPAL PALUDAMENTS. Plate XCIX Dionysius the Areopagite Left: DRAWING ON TINTED PAPER HIGHLIGHTED IN WHITE, by F. Lippi - London, British Museum. Right: CHARCOAL DRAWING HIGHLIGHTED IN WHITE for a Madonna and St. Anne, by Leonardo da Vinci - London, Royal Academy. Plate C Design INNER PART OF THE DIPTYCH OF BOETHIUS (487) with a 7th-cent. miniature depicting: the resurrection of Lazarus, St. Jerome, St. Augustine, St. Gregory. Diptych intended to contain the names of the dead, later transformed into a diptych of the living - Brescia, Museo Cristiano. Plate CI Diptych BYZANTINE CONSULAR DIPTYCH (6th cent.), whose figures were transformed, probably in the 9th cent., into David and St. Gregory the Great - Monza, Cathedral. Plate CII Diptych DIPTYCH WITH SCENES FROM THE LIFE OF JESUS. Plate CIII Diptych GRANT OF DOWRY (MORGENGAB) BY MELO SON OF NATALE TO HIS WIFE ALFARANA DAUGHTER OF BISANZIO (Dec. 1027). The signatures are autograph - Bari, Archivio della Cattedrale. Plate CIV Document Above: PARTIAL VIEW OF THE PORT - Kalymnos. Plate CV Dodecanese Left: SELF-PORTRAIT in the act of showing another self-portrait in profile (1674) - Florence, Galleria degli Uffizi. Right: THE VIRGIN CONTEMPLATING THE CHILD - Rome, Galleria Nazionale d'Arte antica. Plate CVI Dolci, Carlo ST. NILUS DIRECTS THE CONSTRUCTION OF THE ABBEY OF GROTTAFERRATA. Fresco by Domenichino - Grottaferrata, Abbey. Plate CVII Domenichino (Domenico Zampieri, called Il) THE BOOKS OF ST. DOMINIC AND OF THE ALBIGENSIANS SUBJECTED TO THE TEST OF FIRE. Work by Nicola Pisano and collaborators (1267). Detail of the shrine of St. Dominic - Bologna, Church of St. Dominic. Plate CVIII Dominic, Saint MIRACLES, DEATH AND FUNERAL OF ST. DOMINIC. Detail of the polyptych by F. Traini (1344) - Pisa, church of St. Catherine. Plate CIX Dominic, Saint NURSING AND WEDDING OF THE FOUNDLINGS. Fresco in the Hospital of Siena. Plate CX Domenico di Bartolo Above: RESTORED INTERIOR OF THE BASILICA OF SS. NEREUS AND ACHILLEUS, built over the tombs of the martyrs between 390 and 395 and rebuilt in the 6th cent. - Rome, Cemetery of Domitilla. Below: NARTHEX OF THE BASILICA OF SS. NEREUS AND ACHILLEUS. The sarcophagi belong to a hypogeum earlier than the construction of the basilica - Rome, Cemetery of Domitilla. Plate CXI Domitilla, Cemetery Of Above: TITLE OF AMPLIATUS (3rd cent.). - Centre: EPITAPH OF VICTORINUS "Anima Innocentissima Inter Sanctis et Iustis" (4th cent.). Below: INSCRIPTION OF PASCENTIUS, lector of the title "de Fasciola" (late 4th cent.) - Rome, cemetery of Domitilla. Plate CXII Domitilla, Cemetery Of ST. MARY MAGDALENE. Plate CXIII Donatello (Donato Di Niccolò De' Bardi) CHOIR. Plate CXIV Donatello (Donato Di Niccolò De' Bardi) O uos penitus tocos dedit uno pre dono Plate CXV Donizone of Canossa PORTRAIT OF ANDREA DORIA. Plate CXVI Doria, Family GLAZED TERRACOTTA ALTARPIECE. Plate CXVII Dossale ALTARPIECE, executed by Betto di Francesco in collaboration with Giovanni di Francesco - Arezzo, Cathedral, high altar. Plate CXVIII Dossale THE SORCERESS CIRCE. Plate CXIX Dosso GROUP OF DOCTORS OF THE CHURCH. Plate CXX Doctors of the Church SIXTUS V PROCLAIMS ST. BONAVENTURE doctor of the Church in the basilica of SS. Apostoli - Biblioteca Vaticana, Sala Sistina (1585-90). Plate CXXI Doctors of the Church PORTRAIT. Plate CXXII Dovizi, Bernardo ST. CATHERINE OF ALEXANDRIA. Detail of the 'Maestà' - Siena, Museo dell'Opera del Duomo. Plate CXXIII Duccio di Buoninsegna Above: THE MARYS AT THE TOMB. Detail of the "Maestà" - Siena, Museo dell'Opera del Duomo. Plate CXXIV Duccio di Buoninsegna THE PIETÀ. Plate CXXV Dupre, Giovanni Left: CHRIST WALKING ON THE WATER, fresco of the baptistery (3rd cent.). Plate CXXVI Dura-Europos (Gr. Δοῦρα Εὐρώπος) Left: THE NATIVITY. Central part of the so-called Paumgärtner-Altar - Munich, Alte Pinakothek. Plate CXXVII Dürer, Albrecht MELENCOLIA. Plate CXXVIII Dürer, Albrecht (Ripe, Pissi) Plate, p. 571 Cross (Ripe, Pusa) Plate, p. 701 Dante, Alighieri MADONNA AND SAINTS - Florence, Uffizi. Plate, p. 1057 Domenico, Venetian (Rigr. Pissi) Plate, p. 1069 Donatello (Donato Di Niccolò De' Bardi)

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