Surrealism

SURREALISMO. — French literary and artistic movement. The term « surrealist » first appears as the subtitle of a drama by G. Apollinaire, Les mammelles de Tirésias (1918).

The Manifesto of the new movement, which immediately followed the short-lived one named « Dada », was launched by André Breton in 1924. A first definition may be that given by Breton himself: « Psychic automatism through which one proposes to express, whether verbally, in writing, or in any other manner, the actual functioning of thought. Dictation of thought, in the absence of all control, beyond every aesthetic or moral concern ». But the literary group that arose around Breton, Soupault, Aragon, and Eluard claims antecedents and precursors in every literature and every century, and extends to the figurative arts and music, and finally to every attitude of thought, wherever free imagination or philosophical inquiry devoid of controls and limitations may be found. In particular, s. approaches psychoanalysis and every more advanced attempt at verbal invention, both in poetry and in the novel. Around 1940, the movement had run its course, and nothing remains of it but consequences of doubtful taste in every art.

BIBL.: E. Bouvier, Initiation à la littérature d'aujourd'hui, Paris 1932; M. Raymond, De Baudelaire au surréalisme, there 1933; G. Mangeot, Hist. du surr., Brussels 1934; C. Sénéchal, Les grands courants de la littérature, franç. contempor., Paris 1934, pp. 383-385 and 400-406; H. Derieux, La poésie franç. contempor., there 1935; H. Read, Surrealism, London 1936; J. and R. Maritain, Situations de la poésie, Paris 1938; C. Bo, Bilancio del s., Padua 1944; (bibl. on pp. 117-35); id., Antologia del s., Milan 1944; M. Nadeau, Histoire du surréalisme, Paris 1945 and 1947.

Giacinto Spagnoletti

Cite this article

“SURREALISMO.” Enciclopedia Cattolica, vol. XI (1953), p. 959. Azione Romana digital edition, https://azioneromana.com/article/surrealismo.