DALMASIO LIPPO

DALMASIO LIPPO. — Also called L. delle Madonne; Bolognese painter, b. around 1352, d. between 1410 (the date of his will) and 1421 (the year in which his heirs are mentioned), son of D. di Jacopo Scannabechi, also a painter, and nephew of Simone dei Crocifissi. He was a follower of the art of Vitale da Bologna, to which he added Tuscan and, more specifically, Pistoian elements, attributable to the painter’s stay in that city from 1580 to 1584.

He executed several images of the Virgin with the Child, including the much-retouched one in the London picture gallery, the Madonna (called del velluto) in S. Domenico in Bologna, the graceful Madonna in the church of the Misericordia, dated 1397, and that in S. Benedetto in the same city. At the Pii istituti educativi di Bologna there is a large triptych with the Madonna in trono e santi, an early work very close to Simone dei Crocifissi. The Bolognese picture gallery preserves a signed Madonna dell'umiltà and a small Incoronazione della Vergine, part of a dismembered altarpiece. Various sacred images frescoed on the walls of houses in Bologna, now destroyed by time, are also attributed to him.

BIBL.: C. Malvasia, Felsina pittrice, I, Bologna 1678, pp. 26 ff.; M. Oretti, Notizie de professori, etc., ms. B. 123 in the Biblioteca Comunale di Bologna, pp. 58 ff.; Venturi, V, pp. 945 ff.; J. A. Crowe and G. B. Calvalcaselle, A History of Painting, etc., III, London 1908, pp. 193 ff.; R. Baldani, La pittura a Bologna nel sec. XIV, in Atti e memorie della R. deputazione di storia per le province di Romagna, 3 (1912), pp. 476 ff.; R. Van Marle, The development of the Italian Schools of Painting, IV, L'Ais 1924, pp. 452 ff.; A. Foratti, s. V. in Thieme-Becker, XXIX, pp. 228–29 (with preceding bibliography).
Cite this article

“DALMASIO LIPPO.” Enciclopedia Cattolica, vol. IV (1950), p. 661. Azione Romana digital edition, https://azioneromana.com/article/dalmasio-lippo.