GÖSS

The foundation is attributed to the Aribonid family, specifically the branch of the counts of Leoben (Adula and Aribo, later Archbishop of Mainz), and dates between the years 994 and 1020. Initially, it appears there were canons regular; however, from the 12th century onward, it was certainly a Benedictine nunnery. Beyond its economic and social influence, the monastery was renowned as an educational institution for noblewomen. The abbess held a seat and voice in the Diet of Styria. Moreover, Göss was always a center of female art: celebrated is the "Gösser Ornat," a richly embroidered masterpiece from the 13th century, now housed in the Museum of Art and Industry in Vienna. 13th-century frescoes were once found in the former chapter hall; the abbey church choir dates to after 1338 but preserves beneath it a 11th-century crypt. The three large Gothic naves were consecrated in 1515; four enormous twisted pillars and a grand portal remain. Despite strong protests in Styria, Joseph II suppressed the abbey in 1782, diverting its revenues to the short-lived diocese of Leoben (1786–1856). Near Göss stands the former church of St. Lambert, said to have been consecrated by Pope Leo IX.