GOZZI, CARLO

GOZZI, CARLO. – Writer, born in Venice on 13 Dec. 1720, died there on 4 Apr. 1806.

Younger brother of Gasparo, he is remembered for *Marfisa bizzarra*, for the *Fiabe* (delicate, sometimes witty, often weighed down by superfluous allegories, yet which enjoyed considerable success especially in Romantic Germany), and for the *Memorie inutili*, a shrewd recollection of his life. A staunch opponent of Carlo Goldoni, whom he accused of lacking poetry and morality, he represents an interesting figure of the rigid Venetian tradition opposed to modern literary and moral “follies”; a faithful advocate of obedience to established governments, he was a convinced opponent of the separation between philosophy and religion promoted by the “philosophers,” who, in his view, had renamed “blushing” and “shame” as prejudice.

BIBL.: Edizioni: *Opere*, ed. C. Calcaterra and A. De Marchi, Milan 1948. Studi: G. A. Borgese, *La vita e il libro*, 2nd series, Turin 1911, pp. 400–12; R. Serra, *Le lettere*, Rome 1914 (repr. ibid. 1920), pp. 77–82; G. Petronio, *Poeti del nostro secolo. I crepuscolari*, Florence 1937, pp. 29–60; P. Pancrazi, *G. G. senza i crepuscolari*, in *Scrittori italiani del Novecento*, Bari 1939, pp. 1–11; B. Croce, *Letteratura della nuova Italia*, VI, ibid. 1940, pp. 379–88; M. Marchesi, *Poeti crepuscolari: Corazzini e G.*, Rome 1942, pp. 75–130 (with bibliography); C. Calcaterra, *Con G. G. e altri poeti*, Bologna 1946, pp. 9–125. Salvatore Lombardo Restivo.

GOZZI, CARLO. – Writer, born in Venice on 13 Dec. 1720, died there on 4 Apr. 1806.

Younger brother of Gasparo, he is remembered for *Marfisa bizzarra*, for the *Fiabe* (delicate, sometimes witty, often weighed down by superfluous allegories, yet which enjoyed considerable success especially in Romantic Germany), and for the *Memorie inutili*, a shrewd recollection of his life. A staunch opponent of Carlo Goldoni, whom he accused of lacking poetry and morality, he represents an interesting figure of the rigid Venetian tradition opposed to modern literary and moral “follies”; a faithful advocate of obedience to established governments, he was a convinced opponent of the separation between philosophy and religion promoted by the “philosophers,” who, in his view, had renamed “blushing” and “shame” as prejudice.

BIBL.: E. Carrara, *Studi sul teatro ispano-veneto di C. G.*, Cagliari 1901; H. Hoffmann-Rusack, *G. in Germany*, New York 1930; G. Ziccardi, *Forme di vita e d’arte nel Settecento*, Florence 1931, pp. 111–80; B. Cestaro, *C. G.*, Turin 1932; A. Bobbio, *Studi sui drammi spagnoli di C. G.*, in *Convivium*, new series, 2 (1948), pp. 722–71; B. Croce, *La letteratura italiana del Settecento*, Bari 1949, pp. 152–65; M. Petrocchi, *Il tramonto della Repubblica di Venezia e l’assolutismo illuminato*, Massimo Petrocchi.