GUAZZO. - Gouache painting is that which uses a gum as the gluten, or vehicle, of the color instead of animal glues, wax and egg white employed in tempera.
The procedure is very ancient: it was much used in Hellenistic painting, at Pompeii, in the catacombs. Transparent and quick, the gouache brushstroke allows easy and evocative effects and also, owing to the fact that it is of a very thin body, almost a glaze, it makes it possible to realize the pictorial idea with immediacy. It is used today mostly in scene painting, which usefully exploits its rapidity of technique and its synthetic pictorial vision.
Bibliography3 worksG. Previati, La tecnica della pittura, Turin 1905, see index; J. Vibert, La science de la peinture, Paris 1925, see index; C. Cennini, Il li
BIBL.: G. Previati, La tecnica della pittura, Turin 1905, see index; J. Vibert, La science de la peinture, Paris 1925, see index; C. Cennini, Il libro dell'arte del sec. XV, ed. of Florence 1943, see index.
Carandente, Giovanni. “Guazzo.” In Enciclopedia Cattolica, vol. VI, col. 1217. Città del Vaticano: Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1951. https://azioneromana.com/article/guazzo.
MLA
Carandente, Giovanni. “Guazzo.” Enciclopedia Cattolica, vol. VI, Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1951, col. 1217. Azione Romana, https://azioneromana.com/article/guazzo.
BibTeX
@incollection{ec6_guazzo,
author = {Carandente, Giovanni},
title = {Guazzo},
booktitle = {Enciclopedia Cattolica},
volume = {VI},
pages = {1217},
note = {Cited by column},
publisher = {Ente per l’Enciclopedia Cattolica e per il Libro Cattolico},
address = {Città del Vaticano},
year = {1951},
url = {https://azioneromana.com/article/guazzo}
}
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