In his Studies in the history of the Renaissance (1873) he appears to identify melancholy as the dominant motif of Renaissance art. His Imaginary Portraits (1887), portraits that are half historical and half fantastic,
PATER, WALTER
Enciclopedia Cattolica
In his Studies in the history of the Renaissance (1873) he appears to identify melancholy as the dominant motif of Renaissance art. His Imaginary Portraits (1887), portraits that are half historical and half fantastic,