GEORGE, STEFAN

STEFAN GEORGE, ST. — Poet, b. at Rüdesheim (Rhineland) on 12 July 1868, d. in Switzerland near Lausanne on 4 Dec. 1933. One of the last three outstanding German poets, forming a triad which, in opposition to Naturalism, reaffirmed the noble spirit and aims of the great German poetic tradition.

After extensive travels abroad and philological studies in Berlin and art history in Munich, G. — who bore within him a native lyrical core, a religious sense of art, and an aristocratic, austere, heroic style of life, shunning the crowd as well as mechanism and materialism which annihilate the individual, with an added resentful Nietzschean voluntarism — turned toward Symbolism and the “art for art’s sake” formula, of which he became a propagator in Germany through *Blätter für die Kunst* (1892–1919), but progressively toward the conception of the poet as priest, indeed as seer. While remaining until the end a cultivator of formal beauty, his output shows an undeniable evolution toward greater concreteness, both in subject matter and spiritual content; yet he admitted no value beyond the autonomous worth of poetry, severed from psychological or historical factors. His religion of poetry was, naturally, un-Christian.

Editions: *Gesamt-Ausgabe der Werke* (18 vols., Berlin 1927–34).

Bibl.: Chr. Geyer, *Die Religion St. G.* s., Rudolfstadt 1924; F. Gundolf, *St. G.*, 3rd ed., Berlin 1930; Joh. Mumbauer, *St. G. in katholischer Schau*, in *Literarischer Handweiser*, 66 (1930); L. Vincenti, *St. G.*, in *Baretti*, August 1927; I. Maione, *St. G.*, in *Contemporanei di Germania*, Turin 1931; W. Rosengarth, *Nietzsche u. G.*, Leipzig 1934; H. Lutzeler, *St. G. u. das Christianum*, in *Köln. Volkszeitung*, 28 May 1932; F. Bergenthal, *Das Werk G. s.*, Breslau 1934; M. Pensa, *St. G.*, Bologna 1935 (with extensive bibliography).