GRAFFITI

GRAFFITI. - G., as the name indicates, are drawings or writings made with a hard point upon a softer surface, such as wall plaster, terracotta, or even marble or metal. The drawing is characterized by its flat appearance, with scarcely any relief, although this is compensated for by shading and fine strokes; the writing by its cursive and summary nature, which generally makes it a text difficult to read.

In compensation, it tends to express personal feelings with greater freshness and immediacy. For this reason, the countless g. found on almost every wall of Pompeii are extremely precious; no less so for the history of Christianity are those left by the first Christians on their tombs, on the walls of their houses, and especially on the walls of their sanctuaries. Precisely thanks to them it has repeatedly been possible to identify sanctuaries of martyrs venerated in the catacombs, for example, the «memoria

Article illustration
(by courtesy of the Pont. Comm. of Sacred Archaeology) GRAFFITI. - G. with invocation to the apostles Pietro and Paolo (3rd cent.) in the Tricia Apostolorum in Catacumbas - Rome, S. Sebastiano.
Apostolorum • along the Appia, where S. Sebastiano later arose.
For this type of writing, see CAPITALE, SCRITTURA.

BIBL.: G. B. De Rossi, La Roma sotterranea cristiana, II. Rome 1867, pp. 13-20; H. Leclercq, Graffites, in DACL, VI, cols. 1453-1542. Antonio Ferrua
Cite this article

“GRAFFITI.” Enciclopedia Cattolica, vol. VI (1951), p. 600. Azione Romana digital edition, https://azioneromana.com/article/graffiti.