BULINO. - It is the tool with which the copper or steel plate intended as a matrix for prints is directly engraved, without the aid of the acids used instead for etching (v.) and for aquatint (v.).
It consists of a small rod of very pure steel, with a rectangular, rhomboidal or oval cutting edge, which is frequently sharpened on an oilstone and mounted on a short mushroom-shaped handle. The lines, more or less far apart and more or less wide and deep, can be drawn in a single direction or crossed, and dots can be interspersed among them, made with the burin itself or with the drypoint, which is a burin with a conical point.
Especially suited to the minute reproduction of models (it was much used for copies of works of art or for views: cf., for example, the prints of Marcantonio Raimondi), it was nevertheless used with wholly creative intentions and results by artists such as, for example, Antonio Pollaiuolo, Andrea Mantegna, Albrecht Dürer.
BibliographyP. A. Gariazzo, La stampa incisa, Turin 1907. Corrado Mezzana
BIBL.: P. A. Gariazzo, La stampa incisa, Turin 1907.
Corrado Mezzana
Mezzana, Corrado. “Bulino.” In Enciclopedia Cattolica, vol. III, coll. 207–208. Città del Vaticano: Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1949. https://azioneromana.com/article/bulino.
MLA
Mezzana, Corrado. “Bulino.” Enciclopedia Cattolica, vol. III, Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1949, coll. 207–208. Azione Romana, https://azioneromana.com/article/bulino.
BibTeX
@incollection{ec3_bulino,
author = {Mezzana, Corrado},
title = {Bulino},
booktitle = {Enciclopedia Cattolica},
volume = {III},
pages = {207--208},
note = {Cited by column},
publisher = {Ente per l’Enciclopedia Cattolica e per il Libro Cattolico},
address = {Città del Vaticano},
year = {1949},
url = {https://azioneromana.com/article/bulino}
}
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