Enciclopedia Cattolica Vol. I, 1948 Art & architecture Artists

Agostino di Duccio

Italian original Cite

AGOSTINO di DUCCIO. - Sculptor and architect, (b. in Florence in 1418, d. ca. 1481). His artistic training is unknown; nevertheless, the influence of Donatello is found in him, especially in the very flattened relief, and at the same time a kinship with the technique of the Florentine goldsmiths and bronze sculptors can be seen in his manner.

His vision of reality is essentially linear, and this links him to his contemporary Botticelli, whom he also recalls in the expression of his languid and pensive figures. - See Plates XXXVI-XXXVIII.

CHURCH OF SS. ANDREA AND BERNARDINO (1461) - Perugia.
Plate XXXVI CHURCH OF SS. ANDREA AND BERNARDINO (1461) - Perugia.(fot. Alinari)
Left: MUSIC-MAKING ANGELS (1461). Perugia, SS. Andrea and Bernardino, detail of the facade. Right: FIGURE OF DIALECTIC. Rimini, Tempio Malatestiano.
Plate XXXVII Left: MUSIC-MAKING ANGELS (1461). Perugia, SS. Andrea and Bernardino, detail of the facade. Right: FIGURE OF DIALECTIC. Rimini, Tempio Malatestiano.(fot. Alimeri)
MADONNA AND CHILD WITH ANGELS Florence, Museo dell'Opera del Duomo.
Plate XXXVIII MADONNA AND CHILD WITH ANGELS Florence, Museo dell'Opera del Duomo.(fot. Alinari)

After some works of lesser importance, A. in 1447 undertook to decorate the Malatesta Temple in Rimini, and in this he revealed all the finest qualities of his art, enlivening the architecture of six chapels with highly original sacred and profane figurations, to which the polychromy of the marbles and the color of the stuccoes lend animation and gladness. In 1457 he was called to Perugia to decorate the facade of S. Bernardino, which he himself had erected in the manner of Alberti, and there he left an outstanding monument of decorative art, in which statues and bas-reliefs are united, enlivened by polychromy. More sober and more coherent, that is, free from the plethoric filling of sculptural elements, is the Porta S. Pietro of the same city.

Among his isolated sculptures let us recall the most delicate Madonna with Child and Angels of the Museo dell'Opera del duomo of Florence, in which, as in his other sacred works, the lightness of the lines and the delicacy of the relief produce a sense of refined elegance.

Bibliography6 works
BIBL.: G. Urbini, s. v. in Thieme-Becker, I, pp. 127-128 (with bibl.); A. Pointner, Die Werke des florentinischen Bildhauers: Agostino d'Antonio di Duccio (Zur Kunstgeschichte des Auslandes, Heft 68), Strasbourg 1909; C. Ricci, Il Tempio Malatestiano, Milan 1925 (with bibl.); A. Pica, La chiesa di s. Francesco in Rimini, Turin 1930; A. Stokes, Stones of Rimini, London [1934]; E. Lavagnino, Fifty War-Damaged Monuments of Italy, Rome 1946, pp. 96-99.

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By Vincenzo Golzio

How we know recovered from an earlier OCR reading

Translated from the Enciclopedia Cattolica, vol. I (1948), coll. 515–516.

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vol. 1, coll. 515–516

More by Vincenzo Golzio: Albani, Francesco · Alberti · Alfieri, Benedetto Innocente · Algardi, Alessandro · Allori, Alessandro

Cite this article

Chicago

Golzio, Vincenzo. “Agostino di Duccio.” In Enciclopedia Cattolica, vol. I, coll. 515–516. Città del Vaticano: Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1948. https://azioneromana.com/article/agostino-di-duccio.

MLA

Golzio, Vincenzo. “Agostino di Duccio.” Enciclopedia Cattolica, vol. I, Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1948, coll. 515–516. Azione Romana, https://azioneromana.com/article/agostino-di-duccio.

BibTeX

@incollection{ec1_agostino_di_duccio,
  author    = {Golzio, Vincenzo},
  title     = {Agostino di Duccio},
  booktitle = {Enciclopedia Cattolica},
  volume    = {I},
  pages     = {515--516},
  note      = {Cited by column},
  publisher = {Ente per l’Enciclopedia Cattolica e per il Libro Cattolico},
  address   = {Città del Vaticano},
  year      = {1948},
  url       = {https://azioneromana.com/article/agostino-di-duccio}
}

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