TEMPESTA, ANTONIO

Image from page 1138
Image from page 1138
TEMPESTA, Antonio. - Pittore, n. a Firenze nel 1555, m. a Roma nel 1630. Allievo di Jan van der Straat e di Santi di Tito.
TEMPESTA, Antonio. - Pittore, n. a Firenze nel 1555, m. a Roma nel 1630. Allievo di Jan van der Straat e di Santi di Tito.

TEMPESTA, Antonio. — Painter, b. in Florence in 1555, d. in Rome in 1630. Pupil of Jan van der Straat and of Santi di Tito.

Very young, he found work at the court of Pope Gregory XIII. He then devoted himself especially to engraving, confirming his gifts as an easy and pleasant narrator, even if sometimes a little superficial, of hunting scenes, battles, and banquets. Tempesta is in any case a mannerist who already opens the door to true Baroque with a very refined sense of decoration. Despite his vast pictorial output, not many paintings can today be attributed to him with certainty. However, among the most important, according to general opinion, are, among the frescoes, those of the Vatican Gallery (now Gallery of Maps); Fame and Honor in the Swiss Loggia; some decorations in the Rospigliosi Palace, at the Quirinal, in the Santacroce and Giustiniani palaces, in the chapel of St. John in Fonte, of St. Anthony Abbot at St. John de’ Fiorentini, at St. Stephen in the Round, at St. Pancras in Rome and the decorations in the Scala Regia of Palazzo Farnese at Caprarola; then in various galleries. Among his engravings: scenes from the life of St. George; 12 scenes from the life of Alexander the Great; the Metamorphoses of Ovid; countless scenes, executed in collaboration with Bartsch, and the illustrations of Torquato Tasso’s *Gerusalemme Liberata* with full-page scenes.

BIBL.: G. Baglione, *Le vite dei pittori*, Rome 1642, pp. 202-281; A. Bertolotti, *Artisti lombardi a Roma*, II, Mantua 1884; H. Voss, *Die Malerei der Spätrenaissance in Rom und Florenz*, Berlin 1920; I. Callari, *I palazzi di Roma*, Rome 1928, p. 148; A. Calabi, *L’incisione italiana*, Milan 1931; W. Weisbach, *Pittura francese del XVII sec.*, Berlin 1932; Thieme-Becker, XXXII, p. 516.