Enciclopedia Cattolica Vol. XII, 1954 Liturgy

Tiara

Italian original Cite

Triregnum redirects here.

Also known as: papal tiara

TIARA. - From the Greek τάρα, synonym of φάγιον (= turban), a head covering proper to the pope, of conical shape adorned with three crowns (= triregnum), surmounted (from the 16th century) by a small cross.

It is not used during the liturgical functions turgical functions and the pope receives it from the hands of the cardinal first deacon, as in ancient times, outside the Vatican Basilica, on the day of his solemn coronation after the solemn Mass has been celebrated, before the people. He then wore it in the solemn cavalcade with which he went to take possession of the Lateran Archbasilica, from the time when he established his ordinary residence in the Vatican Palace. Today the pope wears it on his return from the celebration or from assisting at the pontifical Mass.

TIARA - T. with three kingdoms, surmounted by the Cross, which is placed on the head of the bronze statue of St. Peter on days of great solemnity. The custom of clothing the statue with sacred vestments dates back to 173
TIARA - T. with three kingdoms, surmounted by the Cross, which is placed on the head of the bronze statue of St. Peter on days of great solemnity. The custom of clothing the statue with sacred vestments dates back to 1736 - St. Peter's Basilica.(photo R. Sansani)

It has an origin in common with the mitre, with a resemblance to the Phrygian headdress, used at the Persian court, later made the emblem of the Byzantine Emperor. It appears to have been used by the popes at least from the 8th-9th century as a sign of their earthly power, perhaps from the time of the Syrian pope Constantine (708-15; cf. Constitutum Constantinum, ed. K. Zeumer [1888], ch. 16). It had the form of a tall, pointed cone, made of white cloth; around the lower edge ran a golden band (cf. the coins of Sergius III [904-11] and of Benedict VII [974-83] representing St. Peter with a tall pointed conical headdress). This headdress must be distinguished from the camelaucum which later was transformed into the liturgical mitre. Not before the 10th century did the golden band of the Phrygian headdress become a crown, after 1256 with points, called regnum. At the beginning of the 14th century under Boniface VIII (1294-1303) the form changed somewhat and a second crown was added (cf. the attempt by Hildebrand the archdeacon in 1059 to add the second crown); the third crown was added under Benedict XI (1303-1304) or Clement V (1305-14); and hence the name triregnum. Innocent III indicates the mitre "pro sacerdotio"; the t. "pro regno". The double crown has the same meaning of pontifical and imperial authority, in analogy with the double crown of the emperor who wore over the clerical mitre the "diadema imperii". E. Eichmann explains the three crowns of the t. in analogy with the three crowns of the Emperor: the German one of Aachen, the Lombard one of Milan-Monza, the Roman one of Rome. The form of the papal coronation in the Roman Pontifical of 1596 instead declares the Pope 1) father of princes and kings, 2) rector of the world, 3) vicar of Christ. - See plate V.

Left: POPE WITH TIARA, to his right a bishop with mitre. Miniature from the Exultet no. 3 (12th cent.), preserved in the archive of the cathedral of Troia. Right: SIXTUS II WITH TIARA. The Pope hands over the treasures of the church to St. Lawrence. Detail of the frescoes by Beato Angelico in the ch
Plate V Left: POPE WITH TIARA, to his right a bishop with mitre. Miniature from the Exultet no. 3 (12th cent.), preserved in the archive of the cathedral of Troia. Right: SIXTUS II WITH TIARA. The Pope hands over the treasures of the church to St. Lawrence. Detail of the frescoes by Beato Angelico in the chapel of Nicholas V (1448-49) - Vatican Apostolic Palace.(fol. Minari)
Bibliography6 works
BIBL.: J. Braun, Die liturg. Gesandung im Occident und Orient, Freiburg 1907, pp. 498-508; G. Ladner, Die Statue Bonifaz VIII. in der Lateranbasilika u. die Entstehung der dreifach gebrönden Tiara, in Röm. Quartalschr., 42 (1934), p. 35 ff.; P. E. Schramm, Zur Gestalt der päpstl. Tiara, in Hist. Zeitschr., 152 (1935), pp. 307-12; M. Righetti, Manuale di st. liturg., I, Milan 1950, p. 536; F. Hermanin, Tre ritratti of Pontiffs, in Rendiconti Pont. accad. rom. di arch., 18 (1942), pp. 149-74; E. Eichmann, Weihe und Krönung des Papstes im Mittelalter, Munich 1951, pp. 28-32, 37-40, 56-57.

Pietro Siffrin

TIARA - Bust of a Pope (Clement IV or Innocent VI) with the t. furnished with a single crown. Roman sculpture of the end of the 13th century - Rome, Museo di Palazzo Venezia.
TIARA - Bust of a Pope (Clement IV or Innocent VI) with the t. furnished with a single crown. Roman sculpture of the end of the 13th century - Rome, Museo di Palazzo Venezia.(from H. K. Mann, Tumbe and portraits of the Papas of the middle ages, London 1899, plate 50)

About this entry

By Pietro Siffrin

How we know signed in print

Translated from the Enciclopedia Cattolica, vol. XII (1954), coll. 69–71.

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Page 63
vol. 12, coll. 69–70
Page 64
vol. 12, coll. 71–72

More by Pietro Siffrin: Thalhofer, Valentin · Tablecloth · Tract (Tractus) · Trisagion · Throne (Thronus, Cathedra, Sedes)

Cite this article

Chicago

Siffrin, Pietro. “Tiara.” In Enciclopedia Cattolica, vol. XII, coll. 69–71. Città del Vaticano: Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1954. https://azioneromana.com/article/tiara.

MLA

Siffrin, Pietro. “Tiara.” Enciclopedia Cattolica, vol. XII, Ente per l’Enciclopedia Cattolica e per il Libro Cattolico, 1954, coll. 69–71. Azione Romana, https://azioneromana.com/article/tiara.

BibTeX

@incollection{ec12_tiara,
  author    = {Siffrin, Pietro},
  title     = {Tiara},
  booktitle = {Enciclopedia Cattolica},
  volume    = {XII},
  pages     = {69--71},
  note      = {Cited by column},
  publisher = {Ente per l’Enciclopedia Cattolica e per il Libro Cattolico},
  address   = {Città del Vaticano},
  year      = {1954},
  url       = {https://azioneromana.com/article/tiara}
}

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