Philip Neri, Saint

FILIPPO NERI, saint. - Born in Florence on July 21, 1515, in the parish of S. Pier Gattolini, to ser Francesco and Lucrezia da Mosciano.

Article illustration
FILIPPO NERI, saint - Wax death mask of the face of st. F. N. located in the private chapel of the Doria Pamphili Princes. Rome, Palazzo Doria.
Mild in temperament, F. revealed from childhood the instinctive liveliness that would accompany him throughout his life. His goodness earned him the nickname "Pippo buono." He spent the years of his adolescence in the Oltrarno district, in S. Spirito and later on Costa S. Giorgio. Under the tutelage of a certain Clemente and through frequent contact with the Dominicans of S. Marco, he was formed in culture and piety. From his association with the Friars Preachers he derived that admiration for Savonarola which he would never disavow. At the age of seventeen, for economic reasons, he had to leave his homeland and go in search of fortune with his cousin Romolo, who engaged in trade in S. Germano (now Cassino). He stayed with him for nearly two years, but felt no attraction for commerce, preferring instead frequent encounters with the monks of the abbey. In these conversations with them and in the recollection of prayer, his vocation to a life consecrated to the Lord matured. He thus left business and relative behind and went to Rome, arriving at the end of 1534.

In the Eternal City, F. found lodging with his fellow citizen Galeotto Caccia, head of the customs office, dedicated himself to the education of his two young sons, and resumed his studies by attending the Sapienza under the Augustinian fathers. His activity, however, could not be exhausted by this alone, as a clear vocation for the apostolate manifested itself ever more openly within him. For example, he went about performing works of mercy by visiting the sick, especially at the hospital of S. Giacomo degli Incurabili. His mystical fervor then poured forth in familiar conversation with young people of his own age and even with mature men whom he met along the way, quickly making himself a companion of a merry band with the subtle, but almost always infallible, aim of leading them to God. In 1548, to provide for the needs of the many pilgrims and convalescents wandering the streets of Rome, F. established the Confraternity of the Most Holy Trinity near the church of S. Benedetto alla Regola, specifically called that of the pilgrims and convalescents. Continuing in his intense work of charity, in 1551 he allowed himself to be persuaded by his spiritual director Persiano Rosa that it was God's will for him to ascend to the priesthood, which he did that year on May 23 at S. Tommaso in Parione. As a priest, he withdrew to the residence of free priests living and officiating at S. Girolamo della Carità to humbly exercise his ministry, especially as a spiritual director. It was precisely there that he began, with great simplicity and not without encountering obstacles, that form of highly effective apostolate that later took the name of the Oratory (v.).

Silently, modestly, and privately, rather than from the pulpit, Father F. approached and got to know almost everyone, penetrating both humble homes and the papal court, so that among his friends he counted cardinals most sensitive to reform ideas as well as artisans from the Banchi or Parione districts, idlers and artists, nobles and common women, and even the pontiffs who succeeded one another on the chair of St. Peter. Frequent were the contacts between the Saint and the noble souls who lived in or passed through the Eternal City in his time and who dedicated themselves to the work of Catholic reform: thus we see enjoying F.'s intimacy St. Charles Borromeo, St. John Leonardi, St. Camillus de Lellis, St. Felix of Cantalice, Animuccia, Cardinals Federigo Borromeo, Cusanus, Paleotti, Valier, de' Medici, etc.; and Popes Pius IV, Pius V, Gregory XIII and XIV, and Clement VIII. Representatives of the Florentine "nation" wanted him in their church of S. Giovanni, and in 1565 he assumed its rectorate while remaining in his beloved dwelling of S. Girolamo; instead, he sent his first priest disciples there: Baronio, Tarugi, Bordini, and others. In 1575 F. received the papal bull of

Article illustration
(courtesy of Msgr. A. P. Frutes) FILIPPO NERI, saint - St. F. N. comforts the sick in the Hospital of the Trinity of Pilgrims. Engraving by P. Novelli (early 17th century).
Article illustration
(photo Giovanni Aurore) FILIPPO NERI, saint - Painting attributed to F. Barocci (1526-1612), preserved in the convent of the Girolamini in Naples.
establishment of the Congregation of the Priests of the Oratory along with the assignment of headquarters in the church of S. Maria in Vallicella, in the Parione district (v. ISTITUTO DELL'ORATORIO DI S. F. N).

Meanwhile, in 1577, the first part of the new Vallicella church was inaugurated—still nicknamed Chiesa Nuova today—which the Saint had tenaciously desired. Around 1588, following repeated requests from his spiritual sons, he left S. Girolamo to move to the Vallicella, while the community, now rich in remarkable men, was in such full vigor that it could consider foundations outside Rome, sending members to Naples and S. Severino. In Milan, due to excessive interference in governance by Borromeo, the Oratorian foundation failed after a long and laborious correspondence between the cardinal and F., which at times involved rather dramatic episodes. A decisive reason was the fact that F. always conceived the Congregation in service to the Oratory and therefore could not permit too many subjects to be distracted at a particularly delicate moment in the Institute's development.

Rome, meanwhile, at the end of the 16th century, had spiritually changed, and undoubtedly much of the work had been slowly and silently carried out by F., sustained by that firm Christian optimism which saw, even in this earthly life, the possibility of joy and peace. At the age of 75, feeling tired in body but not in spirit, F. withdrew into his little cell, continuing a more recollected apostolate and reserving his precious hours for spiritual direction, confession, and conversation with his closest disciples. F. demonstrated fine diplomatic skill at the end of his life in persuading the Pope to accept the reconciliation

of the former Huguenot Henry IV; in this affair he had a valuable collaborator in Fr. Baronio, confessor of Clement VIII.

Article illustration
On May 26, 1595, F. completed his earthly journey. He was canonized by Gregory XV on May 12, 1622. His feast day falls on May 26.

Opere: Lettere, rima e detti memorabili, edited by E. Magri, Florence 1922.

Among the sources, essential is: A. Gallonio, Vita Philippi Neri Florentini Congr. Orat. fund., Rome 1600.

BIBL.: A. Capecelatro, Vita di s. F. N., 3rd ed., 2 vols., Rome 1889-92; G. B. Ristori and G. Faraoni, Notizie e documenti inediti sulla vita di s. F. N., Monza 1922; L. Pannelle and L. Bordet, S. F. N. e lo società romana del suo tempo, Italian trans. by T. Casini, Florence 1931; A. Duproni, Autour de s. F. N., in Mélanges d'archéologie et de histoire de l'École française de Rome, 21 (1932), pp. 219-50; id., D'un « humanisme chrétien » en Italie à la fin du XVIe siècle, in Revue historique, 175 (1935), pp. 296-307; C. Gasbarri, F. N., santo romano, Rome 1944; id., Lo spirito dell'Oratorio di S. F. N., Brescia 1949. Carlo Gasbarri
ICONOGRAPHY - Although St. Philip Neri, imbued with the spirit of humility, did not wish to be portrayed — according to tradition, the unfinished image at Santissima Trinità dei Pellegrini in Rome confirms this aversion — the work of a certain Vecchietto (Rome, S. Maria in Vallicella) seems to have been executed from life; the best of the posthumous likenesses, namely the painting by Guido Reni (1615, ibid., the Saint's room; mosaic copy in the Chapel of St. Philip, replica in the church of the Girolamini in Naples) and the magnificent statue by Algardi (S. Maria in Vallicella, sacristy), perhaps made use of the death mask. While "Pippo buono", a thoroughly Roman saint, left no traces in transalpine figurative art, the aforementioned Roman church alone abounds in works of art created in his honor: it suffices to cite the fresco by Pietro da Cortona showing the vision of the Saint during the construction of the church (ceiling of the central nave), the nine canvases by Pomarancio, and the fresco by Tornio, depicting miracles of Philip Neri. In Naples, Solimena depicts the principal events of his life (1719, church of the Girolamini); the most extensive cycle of his historical representations, however, is constituted by the series of 45 prints engraved by Cristiano Sas after designs by Iacono Stella, published in connection with Bacci's biography (Rome, 1625 ed.).
BIBL.: A. Capecelatro, La vita di s. F. N., II, Roma-Tournai 1892, pp. 638 sq. and 680 sq.; E. Strong, La Chiesa Nuova..., Roma [1923], passim; Pastor, IX, pp. 142-43; K. Künzle, Ikonographie der Heiligen, Friburgo in Br. 1926, no. 905; W. Schamoni, Das wahre Gesicht der Heiligen, Lipsia 1938, pp. 172-77. Kurt Rath
Cite this article

“FILIPPO NERI, SANTO.” Enciclopedia Cattolica, vol. V (1950), p. 796. Azione Romana digital edition, https://azioneromana.com/article/filippo-neri-santo.